The Metamorphoses of Ovid, Book XI (Fable. 7)

Ceyx, going to Claros, to consult the oracle about his brother’s fate, is shipwrecked on the voyage. Juno sends Iris to the God of Sleep, who, at her request, dispatches Morpheus to Halcyone, in a dream, to inform her of the death of her husband. She awakes in the morning, full of solicitude, and goes to the shore where she finds the body of Ceyx thrown up by the waves. She is about to cast herself into the sea in despair, when the Gods transform them both into king-fishers.

In the mean time, Ceyx being disturbed in mind, both on account of the strange fate of his brother, and the wonders that had succeeded his brother, prepares to go to the Clarian God, that he may consult the sacred oracle, the consolation of mortals: for the profane Phorbas,33 with his Phlegyans, renders the oracle of Delphi inaccessible. Yet he first makes thee acquainted with his design, most faithful Halcyone, whose bones receive a chill, and a paleness, much resembling boxwood, comes over her face, and her cheeks are wet with tears gushing forth. Three times attempting to speak, three times she moistens her face with tears, and, sobs interrupting her affectionate complaints, she says:—
“What fault of mine, my dearest, has changed thy mind? Where is that care of me, which once used to exist? Canst thou now be absent without anxiety, thy Halcyone being left behind? Now, is a long journey pleasing to thee? Now, am I dearer to thee when at a distance? But I suppose thy journey is by land, and I shall only grieve, and shall not fear as well, and my anxiety will be free from apprehension. The seas and the aspect of the stormy ocean affright me. And lately I beheld broken planks on the sea shore; and often have I read the names upon tombs,34 without bodies there buried. And let not any deceitful assurance influence thy mind, that the grandson of Hippotas35 is thy father-in-law; who confines the strong winds in prison, and assuages the seas when he pleases. When, once let loose, the winds have taken possession of the deep, nothing is forbidden to them; every land and every sea is disregarded by them. Even the clouds of heaven do they insult, and by their bold onsets strike forth the brilliant fires.36 The more I know them, (for I do know them, and, when little, have often seen them in my father’s abode,) the more I think they are to be dreaded. But if thy resolution, my dear husband, cannot be altered by my entreaties, and if thou art but too determined to go; take me, too, as well. At least, we shall be tossed together; nor shall I fear anything, but what I shall be then suffering; and together we shall endure whatever shall happen; together we shall be carried over the wide seas.”

By such words and the tears of the daughter of Æolus, is her husband, son of the Morning Star, much affected; for the flame of love exists no less in him. But he neither wishes to abandon his proposed voyage, nor to admit Halcyone to a share in the danger; and he says, in answer, many things to console her timorous breast. And yet she does not, on that account, approve of his reasons. To them he adds this alleviation, with which alone he influences his affectionate wife: “All delay will, indeed, be tedious to me; but I swear to thee by the fire of my sire, (if only the fates allow me to return,) that I will come back before the moon has twice completed her orb.” When, by these promises, a hope has been given her of his speedy return, he forthwith orders a ship, drawn out of the dock, to be launched in the sea, and to be supplied with its proper equipments. On seeing this, Halcyone again shuddered, as though presaging the future, and shed her flowing tears, and gave him embraces; and at last, in extreme misery, she said, with a sad voice, “Farewell!” and then she sank with all her body to the ground.

But the youths, while Ceyx is still seeking pretexts for delay, in double rows,37 draw the oars towards their hardy breasts, and cleave the main with equal strokes. She raises her weeping eyes, and sees her husband standing on the crooked stern, and by waving his hand making the first signs to her; and she returns the signals. When the land has receded further, and her eyes are unable to distinguish his countenance: still, while she can, she follows the retreating ship with her sight. When this too, borne onward, cannot be distinguished from the distance; still she looks at the sails waving from the top of the mast. When she no longer sees the sails; she anxiously seeks her deserted bed, and lays herself on the couch. The bed, and the spot, renew the tears of Halcyone, and remind her what part of herself is wanting.

They have now gone out of harbour, and the breeze shakes the rigging; the sailor urges the pendent oars towards their sides;38 and fixes the sailyards39 on the top of the mast, and spreads the canvass full from the mast, and catches the coming breezes. Either the smaller part, or, at least, not more than half her course, had now been cut by the ship, and both lands were at a great distance, when, towards night, the sea began to grow white with swelling waves, and the boisterous East wind to blow with greater violence. Presently the master cries, “At once, lower the top sails, and furl the whole of the sail to the yards!” He orders, but the adverse storm impedes the execution; and the roaring of the sea does not allow any voice to be heard.

Yet, of their own accord, some hasten to draw in the oars, some to secure the sides, some to withdraw the sails from the winds. This one pumps up the waves, and pours back the sea into the sea; another takes off the yards. While these things are being done without any order, the raging storm is increasing, and the fierce winds wage war on every side, and stir up the furious main. The master of the ship is himself alarmed, and himself confesses that he does not know what is their present condition, nor what to order or forbid; so great is the amount of their misfortunes, and more powerful than all his skill. For the men are making a noise with their shouts, the cordage with its rattling, the heavy waves with the dashing of other waves, the skies with the thunder. The sea is upturned with billows, and appears to reach the heavens, and to sprinkle the surrounding clouds with its foam. And one while, when it turns up the yellow sands from the bottom, it is of the same colour with them; at another time it is blacker than the Stygian waves. Sometimes it is level, and is white with resounding foam. The Trachinian ship too, is influenced by these vicissitudes; and now aloft, as though from the summit of a mountain, it seems to look down upon the vallies and the depths of Acheron; at another moment, when the engulphing sea has surrounded it, sunk below, it seems to be looking at heaven above from the infernal waters. Struck on its side by the waves, it often sends forth a low crashing sound, and beaten against, it sounds with no less noise, than on an occasion when the iron battering ram, or the balista, is shaking the shattered towers. And as fierce lions are won't, gaining strength in their career, to rush with their breasts upon the weapons, and arms extended against them; so the water, when upon the rising of the winds it had rushed onwards, advanced against the rigging of the ship, and was much higher than it.

And now the bolts shrink, and despoiled of their covering of wax,40 the seams open wide, and afford a passage to the fatal waves. Behold! vast showers fall from the dissolving clouds, and you would believe that the whole of the heavens is descending into the deep, and that the swelling sea is ascending to the tracts of heaven. The sails are wet with the rain, and the waves of the ocean are mingled with the waters of the skies. The firmament is without its fires; and the gloomy night is oppressed both with its own darkness and that of the storm. Yet the lightnings disperse these, and give light as they flash; the waters are on fire with the flames of the thunder-bolts. And now, too, the waves make an inroad into the hollow texture of the ship; and as a soldier, superior to all the rest of the number, after he has often sprung forward against the fortifications of a defended city, at length gains his desires; and, inflamed with the desire of glory, though but one among a thousand more, he still mounts the wall, so, when the violent waves have beaten against the lofty sides, the fury of the tenth wave,41 rising more impetuously than the rest, rushes onward; and it ceases not to attack the wearied ship, before it descends within the walls, as it were, of the captured bark. Part, then, of the sea is still attempting to get into the ship, part is within it. All are now in alarm, with no less intensity than a city is won't to be alarmed, while some are undermining the walls without, and others within have possession of the walls. All art fails them, and their courage sinks; and as many shapes of death seem to rush and to break in upon them, as the waves that approach. One does not refrain from tears; another is stupefied; another calls those happy42 whom funeral rites await; another, in his prayers, addresses the Gods, and lifting up his hands in vain to that heaven which he sees not, implores their aid. His brothers and his parent recur to the mind of another; to another, his home, with his pledges of affection, and so what has been left behind by each.

The remembrance of Halcyone affects Ceyx; on the lips of Ceyx there is nothing but Halcyone; and though her alone he regrets, still he rejoices that she is absent. Gladly, too, would he look back to the shore of his native land, and turn his last glance towards his home; but he knows not where it is. The sea is raging in a hurricane43 so vast, and all the sky is concealed beneath the shade brought on by the clouds of pitchy darkness, and the face of the night is redoubled in gloom. The mast is broken by the violence of the drenching tempest; the helm, too, is broken; and the undaunted wave, standing over its spoil, looks down like a conqueror, upon the waves as they encircle below. Nor, when precipitated, does it rush down less violently, than if any God were to hurl Athos or Pindus, torn up from its foundations, into the open sea; and with its weight and its violence together, it sinks the ship to the bottom. With her, a great part of the crew overwhelmed in the deep water, and not rising again to the air, meet their fate. Some seize hold of portions and broken pieces of the ship. Ceyx himself seizes a fragment of the wreck, with that hand with which he was won't to wield the sceptre, and in vain, alas! he invokes his father, and his father-in-law. But chiefly on his lips, as he swims, is his wife Halcyone. Her he thinks of, and her name he repeats: he prays the waves to impel his body before her eyes; and that when dead he may be entombed by the hands of his friends. While he still swims, he calls upon Halcyone far away, as often as the billows allow44 him to open his mouth, and in the very waves he murmurs her name. When, lo! a darkening arch45 of waters breaks over the middle of the waves, and buries his head sinking beneath the bursting billow. Lucifer was obscured that night, and such that you could not have recognized him; and since he was not allowed to depart from the heavens,46 he concealed his face beneath thick clouds.

In the meantime, the daughter of Æolus, ignorant of so great misfortunes, reckons the nights; and now she hastens to prepare the garments47 for him to put on, and now, those which, when he comes, she herself may wear, and vainly promises herself his return. She, indeed, piously offers frankincense to all the Gods above; but, before all, she pays her adorations at the temple of Juno, and comes to the altars on behalf of her husband, who is not in existence. And she prays that her husband may be safe, and that he may return, and may prefer no woman before her. But this last alone can be her lot, out of so many of her wishes. But the Goddess endures not any longer to be supplicated on behalf of one who is dead; and, that she may repel her polluted hands48 from the altars,—she says, “Iris, most faithful messenger of my words, hasten quickly to the soporiferous court of Sleep, and command him, under the form of Ceyx who is dead, to send a vision to Halcyone, to relate her real misfortune.” Thus she says. Iris assumes garment of a thousand colours, and, marking the heavens with her curving arch, she repairs to the abode of the king, Sleep, as bidden, concealed beneath a rock.

There is near the Cimmerians49 a cave with a long recess, a hollowed mountain, the home and the habitation of slothful Sleep, into which the Sun, whether rising, or in his mid course, or setting, can never come. Fogs mingled with darkness are exhaled from the ground, and it is a twilight with a dubious light. No wakeful bird, with the notes of his crested features, there calls forth the morn; nor do the watchful dogs, or the geese more sagacious50 than the dogs, break the silence with their voices. No wild beasts, no cattle, no boughs waving with the breeze, no loud outbursts of the human voice, there make any sound; mute Rest has there her abode. But from the bottom of the rock runs a stream, the waters of Lethe,51 through which the rivulet, trickling with a murmuring noise amid the sounding pebbles, invites sleep. Before the doors of the cavern, poppies bloom in abundance, and innumerable herbs, from the juice of which the humid night gathers sleep, and spreads it over the darkened Earth. There is no door in the whole dwelling, to make a noise by the turning of the hinges; no porter at the entrance. But in the middle is a couch, raised high upon black ebony, stuffed with feathers, of a dark colour, concealed by a dark coverlet; on which the God himself lies, his limbs dissolved in sloth. Around him lie, in every direction, imitating divers shapes, unsubstantial dreams as many as the harvest bears ears of corn, the wood green leaves, the shore the sands thrown up. Into this, soon as the maiden had entered, and had put aside with her hands the visions that were in her way, the sacred house shone with the splendour of her garment, and the God, with difficulty lifting up his eyes sunk in languid sloth, again and again relapsing, and striking the upper part of his breast with his nodding chin, at last aroused himself from his dozing; and, raised on his elbow, he inquired why she had come; for he knew who she was.

But she replied, “Sleep, thou repose of all things; Sleep, thou gentlest of the Deities; thou peace of the mind, from which care flies, who dost soothe the hearts of men, wearied with the toils of the day, and refittest them for labour, command a vision, that resembles in similitude the real shape, to go to Halcyone, in Herculean Trachyn, in the form of the king, and to assume the form of one that has suffered shipwreck. Juno commands this.” After Iris had executed her commission, she departed; for she could no longer endure the effects of the vapour; and, as soon as she perceived sleep creeping over her limbs, she took to flight,52 and departed along the bow by which she had come just before.

But Father Sleep, out of the multitude of his thousand sons, raises Morpheus,53 a skilful artist, and an imitator of any human shape. No one more dexterously than he mimics the gait, and the countenance, and the mode of speaking; he adds the dress, too, and the words most commonly used by any one. But he imitates men only; for another one becomes a wild beast, becomes a bird, or becomes a serpent, with its lengthened body: this one, the Gods above call Icelos; the tribe of mortals, Phobetor. There is likewise a third, master of a different art, called Phantasos: he cleverly changes himself into earth, and stone, and water, and a tree, and all those things which are destitute of life. These are won't, by night, to show their features to kings and to generals, while others wander amid the people and the commonalty. These, Sleep, the aged God, passes by, and selects Morpheus alone from all his brothers, to execute the commands of the daughter of Thaumas; and again he 408 xi. 648-684. both drops his head, sunk in languid drowsiness, and shrinks back within the lofty couch.

Morpheus flies through the dark with wings that make no noise, and in a short space of intervening time arrives at the Hæmonian city; and, laying aside his wings from off his body, he assumes the form of Ceyx; and in that form, wan, and like one without blood, without garments, he stands before the bed of his wretched wife. The beard of the hero appears to be dripping, and the water to be falling thickly from his soaking hair. Then leaning on the bed, with tears running down his face, he says these words: “My most wretched wife, dost thou recognise thy Ceyx, or are my looks so changed with death? Observe me; thou wilt surely know me: and, instead of thy husband, thou wilt find the ghost of thy husband. Thy prayers, Halcyone, have availed me nothing; I have perished. Do not promise thyself, thus deceived, my return. The cloudy South wind caught my ship in the Ægean Sea,54 and dashed it to pieces, tossed by the mighty blasts; and the waves choked my utterance, in vain calling upon thy name. It is no untruthful messenger that tells thee this: thou dost not hear these things through vague rumours. I, myself, shipwrecked, in person, am telling thee my fate. Come, arise then, shed tears, and put on mourning; and do not send me unlamented to the phantom realms of Tartarus.”

To these words Morpheus adds a voice, which she may believe to be that of her husband. He seems, too, to be shedding real tears, and his hands have the gesture of Ceyx. As she weeps, Halcyone groans aloud, and moves her arms in her sleep, and catching at his body, grasps the air; and she cries aloud, “Stay, whither dost thou hurry? We will go together.” Disturbed by her own voice, and by the appearance of her husband, she shakes off sleep; and first she looks about there, to see if he, who has been so lately seen, is there; for the servants, roused by her voice, have brought in lights. After she has found him nowhere, she smites her face with her hands, and tears her garments from off her breast, and beats her breast itself. Nor cares she to loosen her hair; she tears it, and says to her nurse, as she inquires what is the occasion of her sorrow: “Halcyone is no more! no more! with her own Ceyx is she dead. Away with words of comfort. He has perished by shipwreck. I have seen him, and I knew him; and as he departed, desirous to detain him, I extended my hands towards him. The ghost fled: but, yet it was the undoubted and the real ghost of my husband. It had not, indeed, if thou askest me that, his wonted features; nor was he looking cheerful with his former countenance. Hapless, I beheld him, pale, and naked, and with his hair still dripping. Lo! ill-fated man, he stood on this very spot;” and she seeks the prints of his footsteps, if any are left. “This it was, this is what I dreaded in my ill-boding mind, and I entreated that thou wouldst not, deserting me, follow the winds. But, I could have wished, since thou didst depart to perish, that, at least, thou hadst taken me as well. To have gone with thee, yes, with thee, would have been an advantage to me; for then neither should I have spent any part of my life otherwise than together with thee, nor would my death have been divided from thee. Now, absent from thee, I perish; now, absent, I am tossed on the waves; and the sea has thee without me.

“My heart were more cruel than the sea itself, were I to strive to protract my life any further; and, were I to struggle to survive so great a misfortune. But I will not struggle, nor, hapless one, will I abandon thee; and, at least, I will now come to be thy companion. And, in the tomb, if the urn does not, yet the inscription55 shall unite us: if I touch not thy bones with my bones, still will I unite thy name with my name.” Grief forbids her saying more, and wailings come between each word, and groans are heaved from her sorrow-stricken breast.

It is now morning: she goes forth from her abode to the sea-shore, and, wretched, repairs to that place from which she had seen him go, and says, “While he lingered, and while he was loosening the cables, at his departure, he gave me kisses upon this sea-shore;” and while she calls to recollection the incidents which she had observed with her eyes, and looks out upon the sea, she observes on the flowing wave, I know not what object, like a body, within a distant space: and at first she is doubtful what it is. After the water has brought it a little nearer, and, although it is still distant, it is plain that it is a corpse. Ignorant who it may be, because it is ship-wrecked, she is moved at the omen, and, though unknown, would fain give it a tear. “Alas! thou wretched one!” she says, “whoever thou art; and if thou hast any wife!” Driven by the waves, the body approaches nearer. The more she looks at it, the less and the less is she mistress of her senses. And now she sees it brought close to the land, that now she can well distinguish it: it is her husband. “’Tis he!” she exclaims, and, on the instant, she tears her face, her hair, and her garments; and, extending her trembling hands towards Ceyx, she says, “And is it thus, Oh dearest husband! is it thus, Oh ill-fated one! that thou dost return to me?”

A mole, made by the hand of man, adjoins the waves, which breaks the first fury of the ocean, and weakens the first shock of its waters. Upon that she leaped, and ’tis wondrous that she could. She flew, and beating the light air with her wings newly formed, she, a wretched bird, skimmed the surface of the water. And, while she flew, her croaking mouth, with its slender bill, uttered a sound like that of one in sadness, and full of complaining. But when she touched the body, dumb, and without blood, embracing the beloved limbs with her new-made wings, in vain she gave him cold kisses with her hardened bill. The people were in doubt whether Ceyx was sensible of this, or whether, by the motion of the wave, he seemed to raise his countenance; but really he was sensible of it; and, at length, through the pity of the Gods above, both were changed into birds. Meeting with the same fate, even then their love remained. Nor, when now birds, is the conjugal tie dissolved: they couple, and they become parents; and for seven calm days,56 in the winter-time, does Halcyone brood upon her nest floating on the sea.57 Then the passage of the deep is safe; Æolus keeps the winds in, and restrains them from sallying forth, and secures a smooth sea for his descendants.

Footnotes:

33. The profane Phorbas.]—Ver. 414. The temple at Delphi was much nearer and more convenient for Ceyx to resort to; but at that period it was in the hands of the Phlegyans, a people of Thessaly, of predatory and lawless habits, who had plundered the Delphic shrine. They were destroyed by thunderbolts and pestilence, or, according to some authors, by Neptune, who swept them away in a flood. Phorbas, here mentioned, was one of the Lapithæ, a savage robber, who forced strangers to box with him, and then slew them. Having the presumption to challenge the Gods, he was slain by Apollo.

34. Names upon tombs.]—Ver. 429. Cenotaphs, or honorary tombs, were erected in honour of those, who having been drowned, their bodies could not be found. One great reason for erecting these memorials was the notion, that the souls of those who had received no funeral honours, wandered in agony on the banks of the Styx for the space of one hundred years.

35. Hippotas.]—Ver. 431. Æolus was the grandson of Hippotas, through his daughter Sergesta, who bore Æolus to Jupiter. Ovid says that he was the father of Halcyone; but, according to Lucian, she was the daughter of Æolus the Hellenian, the grandson of Deucalion.

36. Brilliant fires.]—Ver. 436. Ovid probably here had in view the description given by Lucretius, commencing Book i. line 272.

37. In double rows.]—Ver. 462. By this it is implied that the ship of Ceyx was a ‘biremis,’ or one with two ranks of rowers; one rank being placed above the other. Pliny the Elder attributes the invention of the ‘biremis’ to the Erythræans. Those with three ranks of rowers were introduced by the Corinthians; while Dionysius, the first king of Sicily, was the inventor of the Quadriremis, or ship with four ranks of rowers. Quinqueremes, or those with five ranks, are said to have been the invention of the Salaminians. The first use of those with six ranks has been ascribed to the Syracusans. Ships were sometimes built with twelve, twenty, and even forty ranks of rowers, but they appear to have been intended rather for curiosity than for use. As, of course, the labour of each ascending rank increased, through the necessity of the higher ranks using longer oars, the pay of the lowest rank was the lowest, their work being the easiest. Where there were twenty ranks or more, the upper oars required more than one man to manage them. Ptolemy Philopater had a vessel built as a curiosity, which had no less than four thousand rowers.

38. Towards their sides.]—Ver. 475. ‘Obvertere lateri remos’ most probably means ‘To feather the oars,’ which it is especially necessary to do in a gale, to avoid the retarding power of the wind against the surface of the blade of the oar.

39. Fixes the sail-yards.]—Ver. 476. ‘Cornua’ means, literally, ‘The ends or points of the sail-yards,’ or ‘Antennæ:’ but here the word is used to signify the sail-yards themselves.

40. Covering of wax.]—Ver. 514. The ‘Cera’ with which the seams of the ships were stopped, was most probably a composition of wax and pitch, or other bituminous and resinous substances.

41. The tenth wave.]—Ver. 530. This is said in allusion to the belief that every tenth wave exceeded the others in violence.

42. Calls those happy.]—Ver. 540. Those who died on shore would obtain funeral rites; while those who perished by shipwreck might become food for the fishes, a fate which was regarded by the ancients with peculiar horror. Another reason for thus regarding death by shipwreck, was the general belief among the ancients, that the soul was an emanation from æther, or fire, and that it was contrary to the laws of nature for it to be extinguished by water. Ovid says in his Tristia, or Lament (Book I. El. 2, l. 51-57), ‘I fear not death: ’tis the dreadful kind of death; Take away the shipwreck: then death will be a gain to me. ’Tis something for one, either dying a natural death, or by the sword, to lay his breathless corpse in the firm ground, and to impart his wishes to his kindred, and to hope for a sepulchre, and not to be food for the fishes of the sea.’

43. A hurricane.]—Ver. 548-9. ‘Tanta vertigine pontus Fervet’ is transcribed by Clarke, ‘The sea is confounded with so great a vertigo.’

44. The billows allow.]—Ver. 566. ‘Quoties sinit hiscere fluctus’ is rendered by Clarke, ‘As oft as the waves suffer him to gape.’

45. A darkening arch.]—Ver. 568. Possibly ‘niger arcus’ means a sweeping wave, black with the sand which it has swept from the depths of the
ocean; or else with the reflection of the dark clouds.

46. From the heavens.]—Ver. 571. The word Olympus is frequently used by the poets to signify ‘the heavens;’ as the mountain of that name in Thessaly, from its extreme height, was supposed to be the abode of the Gods.

47. Prepare the garments.]—Ver. 575. Horace tells us that their clients wove garments for the Roman patricians; and the females of noble family did the same for their husbands, children, and brothers. Ovid, in the Fasti, describes Lucretia as making a ‘lacerna,’ or cloak, for her husband Collatinus. She says to her hand-maidens, ‘With all speed there must be sent to your master a cloak made with our hands.’ (Book ii. l. 746.) Suetonius tells us that Augustus would wear no clothes but those made by his wife, sister, or daughter.

48. Polluted hands.]—Ver. 584. All persons who had been engaged in the burial of the dead were considered to be polluted, and were not allowed to enter the temples of the Gods till they had been purified. Among the Greeks, persons who had been supposed to have died in foreign countries, and whose funeral rites had been performed in an honorary manner by their own relatives, if it turned out that they were not dead, and they returned to their own country, were considered impure, and were only purified by being dressed in swaddling clothes, and treated like new-born infants. We shall, then, be hardly surprised at Juno considering Halcyone to be polluted by the death of her husband Ceyx, although at a distance, and as yet unknown to her.

49. The Cimmerians.]—Ver. 592. Ovid appropriately places the abode of the drowsy God in the cold, damp, and foggy regions of the Cimmerians, who are supposed, by some authors, to have been a people of Sarmatia, or Scythia, near the Palus Mæotis, or sea of Azof. Other writers suppose that a fabulous race of people, said to live near Baiæ in Italy, and to inhabit dark caves throughout the day, while they sallied forth to plunder at night, are here referred to. This description of the abode of Sleep, and of his appearance and attendants, is supposed to have been borrowed by Ovid from one of the Greek poets.

50. Geese more sagacious.]—Ver. 599. This is said in compliment to the geese, for the service they rendered, in giving the alarm, and saving the Capitol, when in danger of being taken by the Gauls.

51. Waters of Lethe.]—Ver. 603. After the dead had tasted the waters of Lethe, one of the rivers of Hell, it was supposed that they lost all recollection of the events of their former life.

52. Took to flight.]—Ver. 632. Clarke translates this line, ‘Away she scours, and returns through the bow through which she had come.’

53. Morpheus.]—Ver. 635. Morpheus was so called from the Greek μορφὴ, ‘shape,’ or ‘figure,’ because he assumed various shapes. Icelos has his name from the Greek ἴκελος, ‘like,’ for a similar reason. Phobetor is from the Greek φοβὸς, ‘fear,’ because it was his office to terrify mortals. Lucian appears to mean the same Deity, under the name of Taraxion. Phantasos is from the Greek φάντασις, ‘fancy.’

54. In the Ægean Sea.]—Ver. 663. The Ægean Sea lay between the city of Trachyn and the coast of Ionia, whither Ceyx had gone.

55. The inscription.]—Ver. 706. The epitaphs on the tombs of the ancients usually contained the name of the person, his age, and (with the Greeks) some account of the principal events of his life. Halcyone, in her affectionate grief, promises her husband, at least, an honorary funeral, and a share in her own epitaph.

56. Seven calm days.]—Ver. 745. Simonides mentions eleven as being the number of the days; Philochorus, nine; but Demagoras says seven, the number here adopted by Ovid.

57. Floating on the sea.]—Ver. 746. The male of the kingfisher was said by the ancients to be so constant to his mate, that on her death he refused to couple with any other, for which reason the poets considered that bird as the emblem of conjugal affection. The sea was supposed to be always calm when the female was sitting; from which time of serenity, our proverb, which speaks of ‘Halcyon days,’ takes its rise.