William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
Awhile they live again those passionate moments, not knowing they are dead, and then they know and may awake or half awake to be our visitors. How is their dream changed as Time drops away and their senses multiply? Does their stature alter, do their eyes grow more brilliant? Certainly the dreams stay the longer, the greater their passion when alive: Helen may still open her chamber door to Paris or watch him from the wall, and know she is dreaming but because nights and days are poignant or the stars unreckonably bright. Surely of the passionate dead we can but cry in words Ben Jonson meant for none but Shakespeare: “So rammed” are they “with life they can but grow in life with being.”