William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
William Butler Yeats
I have always sought to bring my mind close to the mind of Indian and Japanese poets, old women in Connaught, mediums in Soho, lay brothers whom I imagine dreaming in some mediaeval monastery the dreams of their village, learned authors who refer all to antiquity; to immerse it in the general mind where that mind is scarce separable from what we have begun to call “the subconscious”; to liberate it from all that comes of councils and committees, from the world as it is seen from universities or from populous towns; and that I might so believe I have murmured evocations and frequented mediums, delighted in all that displayed great problems through sensuous images, or exciting phrases, accepting from abstract schools but a few technical words that are so old they seem but broken architraves fallen amid bramble and grass, and have put myself to school where all things are seen: A Tenedo Tacitae per Amica Silentia Lunae. At one time I thought to prove my conclusions by quoting from diaries where I have recorded certain strange events the moment they happened, but now I have changed my mind—I will but say like the Arab boy that became Vizier: “O brother, I have taken stock in the desert sand and of the sayings of antiquity.”