The World as Just So, Part 10: Escaping the Tangle by Alan Watts
The World as Just So, Part 10: Escaping the Tangle by Alan Watts

The World as Just So, Part 10: Escaping the Tangle

Alan Watts * Track #63 On Out of Your Mind: Essential Listening from the Alan Watts Audio Archives

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The World as Just So, Part 10: Escaping the Tangle by Alan Watts

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Alan Watts

The World as Just So, Part 10: Escaping the Tangle Annotated

The function of a Zen teacher is to put his students in all kinds of situations where, in the normal course of social relations, they would get stuck. By asking nonsensical questions, by making absurd remarks, by always unhinging things, and above all, keeping them stirred up with impossible demands: to hear the sound of one hand, to—without moving—stop a ship sailing out to the water, or to stop the sound of a train whistle in the distance. Magic. To touch the ceiling without getting up from one’s chair, to take the four divisions of Tokyo out of your sleeve, to take Mount Fuji out of a pillbox; all these impossible questions are asked, and in the ordinary way of interpreting these questions we think, Well, now—gee, how could we do that? See? That’s a very difficult question that’s been asked. And you have to think, What would I do to do that?

Because we are caught up in a certain way of discourse which the language-game that we play—and the social games, the production games, and the survival games that we play—are good games. But we take them so seriously that we think that that is the only important thing. And this is to unstick us from that notion and realize that it would be just as good a game to drop dead now as to go on living.

Is a lightning flash ‘bad’ because it lives for a second, as compared with the sun that goes on for billions of years? You can’t make that sort of comparison, because a world of lighting goes also with a world where there’s a sun—and vice versa. So, long-lived creatures and short-lived go together; that’s the meaning of that saying: Flowering branches grow naturally. Some short, some long.

So this, then, is a scene in a Zen community where spontaneous behavior is encouraged within certain limits. And as the student becomes more and more used to it, those limits are expanded. Until, eventually, he can be trusted to go out on the street and behave like a true Zen character, and get by perfectly well. You know what occasionally happens on the street when two people are walking down the sidewalk straight at each other, and they both decide to move to the right together and then to the left together, and they somehow get stuck and they can’t pass each other. Zen teachers will pull just exactly that sort of stunt, when going down a path, and meet one of their students—to see if they can get him in a tangle, and can he escape from it?

And you will find, in everyday life, that there is a very clear distinction between people who always seem to be self-possessed, and people who are dithering and nervous and don’t quite know how to react in any given situation; always getting embarrassed because they have their life too strongly programmed. You said—I mean, this is a common marriage argument—You said you would do such-and-such a thing at such-and-such a time! And now you’ve changed your plans! Not that the change of plans really caused any inconvenience, but just the feeling that when you say you will do something at a certain time, you ought to do it at that time come hell or high water! Well, that’s being very unadaptable. That’s being a stone—kind of sticky—thing. If it, after all, doesn’t matter when we do it and somebody is offended because the time has been changed, that’s simply because they are attached to punctuality as a fetish.

And this is one of the great problems. This causes many automobile accidents. Men rushing home to be on time for dinner, when they stayed late either working, or they had to stop for a drink at some bar, or when a girl feels that she has a fussy husband and she feels she has to have the dinner ready at exactly a certain moment, she ruins the cooking. He’d rather have a faithful wife and a bad cook. I hope I’m not treading on any toes.

So, you see, we spend an awful lot of energy trying to make our lives fit images of what life is or should be which they could never possibly fit. So Zen practice is in getting rid of these images. But it’s so explosive, socially, to do that, and it so worries people they get vertigo, they get dizzy, they don’t know which end is up. And this happens, you know, if you’ve ever been in one of those Blab-Lab sessions, where they call them ‘tea groups’—I think, or something like that—where people gather together without any clear idea of what this gathering is about. They know it’s somehow self-exploration, but just how do you begin on that? And so, somebody starts to push his idea, and then somebody else says, Well, why are you trying to push your idea on us? And then they all get into an argument about the argument, and the most amazing confusions come about—but sometimes they all see what idiots they’re being, and then they learn to live together in a really open and spontaneous way.

There was a very interesting dinner party once where a Zen master was present, and there was a geisha girl who served so beautifully and had such style that he suspected she must have some Zen training. And after a while, when she pours to fill his sake cup, he bowed to her and said, I’d like to give you a present. And she said, I would be most honored. And he took the iron chopsticks that are used for the hibachi—the charcol brazier; moving the charcoal around—he picked up a piece of red-hot charcoal and gave it to her. Well, she instantly—she had very long sleeves on her kimono—she whirled the sleeves around her hands and took the hot charcoal, withdrew to the kitchen, dumped it, and changed her kimono because it was burnt through. Then she came back into the room, and after a suitable interval she stopped before the Zen master and bowed to him and said, I would like to give you, sir, a present. And he said, I would be very much honored. Of course, he was wearing a kimono, or something like this. And so she picked up a piece of coal and offered it to him. He immediately produced a cigarette and said, Thank you, that’s just what I needed.

Now, you know, in the same way that we have this in our culture: certain people who are comedians, who know how to make jokes and gags in a completely unprepared situation. Face them with anything and they somehow come through. So that is exactly the same thing in a special domain as Zen. Only, a master of Zen does this in every life situation. But the important thing is to be able to do this—this is the secret—you must remember: you can’t make a mistake.

Now, that’s a very difficult thing to do, because from childhood up we have had to conform to a certain social game. And if you are going to conform to this game you can make mistakes or not make mistakes. And so this thing has gone into us all the time. You must do the right thing! There’s certain conduct appropriate here. There’s certain conduct appropriate there. And that sticks in us and gives us a double-self all our lives long, because we never grow up.

Do you realize that the whole of life plays a game, which is a childhood game? There are three kinds of people: top people, middle people, and bottom people. And there can’t be any middle people unless there are bottom people and top people. And there can’t be any top people unless there are middle and bottom people, and so it goes. And everybody is trying to be in a top set. Well, if they are going to be there there’s gotta be people in the bottom set. And there are people who do the ‘right’ thing and people who do the ‘wrong’ thing. Here in Sausalito—we have this very, very plainly—there are the ‘right’ people, the nice people who live up on the hill. Then there are the ‘nasty’ people who live down here on the waterfront, and they grow beards and they wear blue jeans and they smoke marijuana. And whereas the other people on the top of the hill drive Cadillacs, and have wall-to-wall carpeting, and nicely mowed lawns, and their particular kind of poison is alcohol. Now, the people who live on the top of the hill know that they are nice people, but they wouldn’t know they were nice people unless they had some nasty people to compare themselves with.

Every in-group requires an out-group. Whereas the nasty people think they are the real far-out people, whereas those people, those hillbillies, are squares. And they wouldn’t be able to feel far-out unless there were squares. See? These things simply go together. But when that is not seen we play the games of ‘getting on top of things’ all the time, and so we are in a constant state of competition. As to—if it’s not I’m stronger than you, it’s I’m wiser than you, I’m more loving than you, I’m more tolerant than you, I’m more sophisticated than you. It doesn’t matter what it is, but this constant competition is going on.

In terms of that competition we can, of course, lose place and—in that sense—make mistakes. But what a Zen student is, is a person who is not involved in the status game. That’s the real meaning of a monk. He is not ‘keeping up with the Jones,’ and to be a master he must get to the point where he’s not trying to be a master. The whole idea of your being better than anybody else simply doesn’t make any sense at all; it is totally meaningless. Because, you see, everybody manifesting the marvel of the universe in the same way as the stars do, and the water, and the winds, and the animals. And you see them all as being in their right places and not being able, really, to make mistakes—although they may think they are making mistakes or not making mistakes, and playing all these competitive games. But that’s their game!

Now, I only say if that game begins to bore you, and it begins to trouble you and give you ulcers and all kinds of things, then you raise the problem of getting out of it, and therefore you start to become interested in things like Zen. That is simply a symptom of your growing in a certain direction where you are tired of playing a certain kind of game. You are as naturally flowing in another direction as if a tree were putting out a new branch. So because you say, Oh well, we people are interested in higher things—you see, that depends, still, on the differentiation of rank between the superior and the inferior people. But when you begin to see through that and grow out of that, you don’t think any more of this ‘superior’ and ‘inferior’ classification. You don’t think, We are spiritual people who attend to higher things as distinct from these morons who are only interested in beer and television. This is simply our particular form of life. Like there are crabs, and there are spiders, and there are sharks, and there are sparrows, and so on.

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The World as Just So, Part 10: Escaping the Tangle was written by Alan Watts.

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