Tami Simon
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Tami Simon
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Alan Watts
Wherever the human organism gets into a certain kind of extreme, it starts an oscillating process going. Just as it does in sexual orgasm. And that oscillating process will inspire in others an emotion which they cannot identify, either as disgust or as lust. They don’t know quite what it is. All those extreme situations—terror, and as we shall see more, response to pain—have an orgiastic quality. And they are, therefore, embarrassing because they conflict with our image of ourselves as in control, composed, deported—that’s in the sense of deportment.
But it would be shameful, in a way—you might not want to look at your own face in a state of complete sexual rapture. As a matter of fact, if you saw a photograph of your face, you wouldn’t be able to tell whether you were in pleasure or in pain. It might be either. Because then, you see, what has happened is that a tide, a vibration, a pulsation, has taken over the whole being, so that you are, as it were, in the possession of a God. And that’s something taboo.
So we begin, here, to move into a very difficult area. Because a lot of people will begin to say this conversation is getting out of line, because we are moving into what are normally called ‘perverse experiences.’ And the two critical forms of perverse experience are sadism and masochism, where there is the association of pain and ecstasy. In sadism, the confusion of another person’s suffering with that person’s sexual orgasm. In masochism, the identification—or if you want to say confusion—of your own suffering with sexual orgasm. Now, we say Well, that’s pathological, that’s absurd! But it exists! People do it all the time—both ways, and sometimes both together. And although this is generally put under the heading of pathology, the fact remains that we can still learn something from it. There’s an important principle in there. Somehow, somewhere. And perhaps, in people who are sadists and masochists, the phenomenon is somehow out of hand because they don’t understand the principle.
Now, do you realize many sadists want nothing more than that their victim should enjoy the pain? The combination sadist and masochist is perfect. And many sadists would be quite reluctant if the victim really didn’t like participating in this at all. And so there’s the joke of the masochist asking the sadist to beat him and he says, I won’t. But what happens here is that pain, and the attendant convulsive behavior of the organism, is associated with the erotic. A different value is given to the same symptoms as, say, it is common in France to get a young woman really aroused, you know? And she will say, Tue-moi! Tue-moi!—Kill me! Kill me! As if, you know, to go as far as you can in throwing yourself away to somebody else, you know? Do anything you want to. And in that abandon, you see, there is the possibility that this—an undulation of feeling, which is total orgiastic feeling—may take over. And in that feeling, you see, you are one with what is happening; completely. And that’s what everybody, as it were, finally aspires to.
So therefore—the masochist, in particular—is a person who has learned throughout life to defend himself against pain by eroticizing pain. Now, do you understand how, therefore, different valuations can be put on one and the same vibration?
The Inevitable Ecstasy, Part 10: The Eroticism of Pain was written by Alan Watts.