Vampire Weekend
Vampire Weekend
Vampire Weekend
Vampire Weekend
Vampire Weekend
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“Hannah Hunt”, according to Ezra Koenig’s interview with Carrie Battan of Pitchfork, is “named after a girl the singer sat next to in a Buddhism class in college (who also happens to be a vocalist in the San Francisco indie pop group Dominant Legs).” Ezra “always thought she had a great name.” At Bo...
[Verse 1]
A gardener told me some plants move
But I could not believe it
'Til me and Hannah Hunt
Saw crawling vines and weeping willows
As we made our way from Providence to Phoenix
[Verse 2]
A man of faith said hidden eyes
Could see what I was thinking
I just smiled and told him
That was only true of Hannah
And we glided on through Waverly and Lincoln
[Chorus]
Our days were long, our nights no longer
Count the seconds, watching hours
Though we live on the US dollar
You and me, we got our own sense of time
[Verse 3]
In Santa Barbara, Hannah cried
"I miss those freezing beaches"
And I walked into town
To buy some kindling for the fire
Hannah tore the New York Times up into pieces
[Chorus]
If I can't trust you then damn it, Hannah
There's no future, there's no answer
Though we live on the US dollar
You and me, we got our own sense of time
[Instrumental Break]
[Chorus]
If I can't trust you then damn it, Hannah
There's no future, there's no answer
Though we live on the US dollar
You and me, we got our own sense of time
Hannah Hunt was written by Ezra Koenig.
Hannah Hunt was produced by Rostam & Ariel Rechtshaid.
Vampire Weekend released Hannah Hunt on Tue May 14 2013.
“Hannah Hunt”, according to Ezra Koenig’s interview with Pitchfork, is named after a girl he knew in college—she sat next to him in an Indo-Tibetan-Buddhism class.
The song isn’t necessarily about her, but Ezra has mentioned that he “always thought she was cool, and always thought that she had such...
On Vampire Weekend’s Reddit AMA, Ezra Koenig mentioned that this song could have the same narrator as “Run.” This song would then narrate the sad aftermath of that couple’s elopement foreshadowed in “Run” (“Every dollar counts, and every morning hurts/We mostly work to live, until we live to work”)....
Rostam revealed that Ezra worked on the song on his own before the Contra sessions and that it was reworked for MVOTC.
According to Rostam, the original version “sounded kinda like ‘say it right’ by Nelly Furtado.”