Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
Into It. Over It.
[Verse 1]
What could possibly go wrong?
I’ve crossed my heart
I’ve lit the fire
I put my back against the door
For your desire
[Pre-Chorus]
No one leaves
It costs a lot to look good
And yet seems so cheap
It costs a lot to pull favors
When no one leaves
When no one’s the better
[Chorus]
A self-fulfilling end
I’ve reached a new consensus
I can’t connect here when
I see you
I see through you
[Pre-Chorus]
What could possibly go wrong?
What could possibly go wrong?
No one leaves
No one surrenders
No one leaves
When no one’s the better
[Chorus]
A self-fulfilling end
I’ve reached a new consensus
I can’t connect here when
I see you
See right through you
[Bridge]
You’re full of famous last words
To say what fame you deserved
Can’t settle on a give and take
That works less than it’s expected
When you work less than I expected
Can’t settle on a give and take
That works less than it’s expected
Can’t settle knowing what could go wrong
[Outro]
No one leaves
No one surrenders
No one leaves
No one’s the better
No one leaves
(What could go wrong?)
No one surrenders
No one leaves
(What could go wrong?)
No one’s the better
Twenty/Twenty was written by Evan Thomas Weiss.
Twenty/Twenty was produced by John Vanderslice.
Into It. Over It. released Twenty/Twenty on Fri Apr 29 2016.
From an interview with DIY Magazine:
“There were a few sonic tricks we were trying to pull,” explains Evan [Weiss], “one of them being a tunnel effect in the middle and at the end. It was written with a tumultuous visual in mind, like riding a rollercoaster, which was a play on what the song is abo...