Sting & The Last Ship Ensemble & & Fred Applegate & Sally Ann Triplett & Collin Kelly-Sordelet & Jimmy Nail
Sting & The Last Ship Ensemble & Michael Esper
Dawn Cantwell, Rachel Tucker
Jimmy Nail, Craig Bennett, Sally Ann Triplett, Fred Applegate
Rachel Tucker & Rachel Tucker
Sting & Collin Kelly-Sordelet & Jamie Jackson & Michael Esper
Sting & Fred Applegate
Sting & Sally Ann Triplett
Sting & Aaron Lazar
Sting & Collin Kelly-Sordelet & Jimmy Nail
Sting & Aaron Lazar & Rachel Tucker & Michael Esper
Sting &
Sting & Collin Kelly-Sordelet & Michael Esper
Sting & Michael Esper & Fred Applegate
Sting & The Last Ship Ensemble & Michael Esper & Sally Ann Triplett
Rachel Tucker, Michael Esper & Michael Esper & Rachel Tucker
Sting & Jimmy Nail
Sting & Collin Kelly-Sordelet & Michael Esper
Sting & Jimmy Nail
Sting
Gideon:
In the streets around here, there was nobody tougher than me
I was quick with me fists and fast with me footwork as you can plainly see
But while fighting was useful for getting your way
Among the toughs of the town where you could hold sway
There had to be something that was better than this
I was fourteen years old and I'd never been kissed
Well of course she'd ignore me, her friends would all sneer
At me bloody nose dripping and me cauliflower ear
For it's hard to convince in a romantic pose
With two lovely black eyes and a broken nose
Where a girl is attracted to skills more refined
Than the pugilist's art, and so I inclined
To take meself serious as a modern romancer
And I secretly learnt all the moves of a dancer
So You swing to the left and you swing to the right
Keep your eyes on your partner, like you would in a fight
Keep to the rhythm, and you keep to the beat
The important thing's never to look at your feet
Then a miracle happens, your mind's in a trance
Though the strategy's subtle, retreat and advance
It's all about attitude, all in your stance
Attention to detail, leave nothing to chance
Which explains how the pugilist finally learned how to dance
And I'd waltz with a broomstick and if I was caught
I'd pretend I was sweeping or practicing sport
But I really had eyes for your mother you see
Wanting her to acknowledge this new version of me
And now everyone's watching, expecting I'll fail
But there's a fire in me belly, and there's a wind in me sails
I knew it was risky, I was taking a chance
But I couldn't retreat now, I had to advance
Gideon and Tom:
So you swing to the left, and you swing to the right
Keep your eyes on your partner, like you would in a fight
Just keep to the rhythm and follow the beat
The important thing's never to look at your feet
Then a miracle happens, and your mind's in a trance
They're all laughing and cheering and looking askance
On the night that the pugilist finally learned how to dance
Gideon:
And about where the strategist's bridges were burned
Tom:
Where it seemed that his fortune had suddenly turned
Gideon:
'Twas the night that the scrapper was suddenly dapper
Tom:
This poor fellow's heart is still going like the clappers
Both:
The night that the pugilist finally learned how to dance
The Night the Pugilist Learned How to Dance was written by Sting.
The Night the Pugilist Learned How to Dance was produced by Sting & Rob Mathes.