Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
Wisława Szymborska
This may be one of the best poems, in my opinion, of Szymborska’s. The poem brings about such a truth that it makes you think in an almost philosophical way. Though it does not play into her common theme of universality, what is conveyed through the poem is just as astounding.
Why does this written doe bound through these written woods?
For a drink of written water from a spring
whose surface will xerox her soft muzzle?
Why does she lift her head; does she hear something?
Perched on four slim legs borrowed from the truth,
she pricks up her ears beneath my fingertips.
Silence-this word also rustles across the page
and parts the boughs
that have sprouted from the word "woods."
Lying in wait, set to pounce on the blank page,
are letters up to no good,
clutches of clauses so subordinate
they'll never let her get away.
Each drop of ink contains a fair supply
of hunters, equipped with squinting eyes behind their sights,
prepared to swarm the sloping pen at any moment,
surround the doe, and slowly aim their guns.
They forget that what's here isn't life.
Other laws, black on white, obtain.
The twinkling of an eye win take as long as I say,
and will, if I wish, divide into tiny eternities,
full of bullets stopped in mid-flight.
Not a thing will ever happen unless I say so.
Without my blessing, not a leaf will fall,
not a blade of grass wig bend beneath that little hoof's full stop.
Is there then a world
where I rule absolutely on fate?
A time I bind with chains of signs?
An existence become endless at my bidding?
The joy of writing.
The power of preserving.
Revenge of a mortal hand.
The Joy of Writing was produced by Clare Cavanagh & Stanisław Barańczak.