SHORT FILM
i. not an elegy for Trayvon Martin
the rain has come, thus somewhere
a dead thing is being washed away.
This time, they’ve named it a black boy.
This time, every time, same difference.
What a great, sad thought he is, this dead boy
clutching tight to sweetness.
How long does it take a story to become a legend?
How long before a legend becomes a god or
forgotten?
Ask the river what it was like when it was rain
then ask it who it drowned.
ii. not an elegy for Renisha McBride
but an ode to whoever did her hair
& rubbed the last oil into her cold scalp
or a myth the bullet & the red yolk it hungers to show her
or the tale his hands, pale & washed in shadow
for they finished what the car could not.
if I must call this her faith, I call God my enemy.
iii. not an elegy for Mike Brown
I am sick of writing this poem
but bring the boy. his new name
his same old body. ordinary, black
dead thing. bring him & we will mourn
until we forget what we are mourning
& isn’t that what being black is about?
not the joy of it, but the feeling
you get when you are looking
at your child, turn your head,
then, poof, no more child.
that feeling. that’s black.
\\
think: once, a white girl
was kidnapped & that’s the Trojan war.
later, up the block, Troy got shot
& that was Tuesday. are we not worthy
of a city of ash? of 1000 ships
launched because we are missed?
always, something deserves to be burned.
it’s never the right thing.
I demand a war to bring the dead boy back
no matter what his name is this time.
I at least demand a song. a song will do for now.
\\
look at what the lord has made.
above Missouri, sweet smoke.
iv. who has time for joy?
another week, another boy
dead because he’s black
& soon more will wade
into after without a name
or questionable photo
on the local news.
how do you expect
me to dance
when everyday someone
who looks like everyone
I love is in a gun fight
armed only with skin?
look closely
& you’ll find a funeral
frothing in the corners
of my mouth, my mouth
hungry for a prayer
to make it all a lie.
reader, what does it
feel like to be safe?
how does it feel
to dance when you’re not
dancing away the ghost?
how does joy taste
when it’s not followed
by will come in the morning?
reader, it’s morning again
& somewhere, a mother
is pulling her hands
across her boy’s cold shoulders
kissing what’s left
of his face. where
is her joy? what’s she
to do with a son
who’ll spoil soon?
& what of the boy?
what was his last dream?
who sang to him
while the world closed
into dust?
what cure marker did we just kill?
what legend did we deny
his legend? I have no more
room for grief
for it us everywhere now.
listen. listen to my laugh
& if you pay attention
you’ll hear his wake.
\\
prediction: the cop will walk free
the boy will still be dead
\\
every night I pray to my God
for ashes
I pray to my God for ashes
to begin again
my God, for ashes, to begin again
I’d give my tongue
to begin again I’d give my tongue
a cop’s tongue too
v. not an elegy for Brandon Zachery
a boy I was a boy with took his own life
right out his own hands. I forgot
black boys leave that way too
I have no words that bring him
back, I am not magic. I’ve tried, but I am just
flesh, just blood yet to spill. People at the funeral
wondered what made him do it. People said
he saw something. I think that’s it. he saw something
what? the world? a road?
a river saying his name?
trees? a pair of ivory hands?
his reflection? his son’s?
vi. hand me down
all my uncles are veterans of the war
but most of them just call it blackness.
all their music sounds like gospel
from a gun’s mouth. I gather the blues
must be named after the last bit of flame
licking what used to be a pew
or a girl.
I wish our skin didn’t come
with causalities, I can’t imagine a sidewalk
without blood.
//
when the men went off to fight
each other, the women stood
in the kitchen making dinner
for white folks. (no one said
the kitchen was theirs. no one said
their children didn’t thin
then disappear altogether.)
//
so not all the women worked
keeping someone else’s house in order.
my great grandmother owned her block
a shop where she sold fatback & taffy, ran numbers.
I imagine that little stretch of St. Louis
as a kingdom, a church, a safe house
made of ox tails & pork rinds
a place to come to be black & not dead.
//
eventually, all black people die.
I believe when a person dies
the black lives on.
Short Film was written by Danez Smith.