“Never Fight a Man With a Perm” tackles with masculinity and how it’s showcased in modern society amongst men. The singer Joe Talbot has spoken out on multiple occasions his distaste for popular things considered as the standards for men, which he brings up throughout the song.
The song borders on...
[Verse 1]
Brylcreem, creatine
And a bag of Charlie Sheen
Brylcreem, creatine
And a bag of co-ca-ine
A dulcet man with a dulcet tone
From a dulcet town and a dulcet home
He hates me, I like that
Two arms like big baseball bats
I bark, he bites back
A jaw like a fuck-off bear trap
He said, "These boots are made for stomping
And that's just what they'll do
One of these days these boots are gonna
Stomp all over you"
[Pre-Chorus]
I said I've got a penchant for smokes and kicking douches in the mouth
Sadly for you, my last cigarette's gone out
[Chorus]
Concrete to leather
Concrete to leather
Concrete to leather
Concrete
Concrete to leather
Concrete to leather
Concrete to leather
Concrete
[Verse 2]
A heathen from Eton
On a bag of Michael Keaton
A heathen from Eton
On a bag of Michael Keaton
He thinks he's suave
You're not suave 'cause you watched Get Carter
You are a catalogue, plastic Sinatra
A tryhard who should've tried harder
Me, oh me, oh my, Roy
You look like a walking thyroid
You're not a man, you're a gland
You're one big neck with sausage hands
You are a Topshop tyrant
Even your haircut's violent
You look like you're from Love Island
He stood and the room went silent
[Pre-Chorus]
Never fight a man with a perm
[Chorus]
Concrete to leather
Concrete to leather
Concrete to leather
Concrete
Concrete to leather
Concrete to leather
Concrete to leather
Concrete
[Outro]
I'll shut my mouth
Let's hug it out
I'll shut my mouth
Let's hug it out
I'll shut my mouth
I'll shut my mouth
Never Fight a Man With a Perm was written by Mark Bowen & Lee Kiernan & Jon Beavis & Adam Devonshire & Joe Talbot.
Never Fight a Man With a Perm was produced by IDLES & Paul Frazer.
IDLES released Never Fight a Man With a Perm on Fri Aug 31 2018.
This song came about when I said the album needed a knife to cut through the macabre timbre of the album’s arch; as soon as I mentioned “knife,” Bobo [guitarist Mark Bowen] shat the riff out like he knew the album wanted it also. I wanted the song to be an exploration of the horrid corners of my pas...