Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Clay Walker
Plastic black frame glasses and her hair back in a bun
From 9 to 5 she looks just like a school librarian
But mister come this friday
When shes punching out, she's ready for love
The hem comes up and the hair comes tumbling down
When she's good she's good
When she's bad she's better
Looks like Hollywood packed inside that sweater
Love knee pumps and patent leather
When's she good
When she's bad she's better
She's got a classic custom Mustang
Black top love machine
Factory paint
License plate says 77 queen
Weaving through the traffic like she ain't afraid to crash
Zepplin on the A Track
Thunder on the dash
When she's good she's good
When she's bad she's better
Looks like Hollywood packed inside that sweater
Love knee pumps and patent leather
When's she good
When she's bad she's better
Come Monday she's all bussiness far as anyone can see
She walks a line, dots her i's and crosses all her t's
Everybody she's thinks she's too up tight to be true
But all along she's sitting on a Blood Red Rose tatoo
When she's good she's good
When she's bad she's better
Looks like Hollywood packed inside that sweater
Love knee pumps and patent leather
When's she good
When she's bad she's better
Love knee pumps and patent leather
When's she good
When she's bad she's so much better
Oh when she's bad, she so bad, bad, bad, bad. She's bad
When She’s Good She’s Good was written by Rivers Rutherford.
When She’s Good She’s Good was produced by Clay Walker & Jimmy Ritchey.