Millay titled these poems “sonnets” despite the fact that, by definition, they are not, as sonnets are written in iambic pentameter. As her sister, Norma Millay, wrote: “The lines in these sonnets read more quickly than standard pentameter lines. Shortened to four beats, they relay an increasingly u...
I
See how these masses mill and swarm
And troop and muster and assail:
God! --- We could keep this planet warm
By friction, if the sun should fail.
Mercury, Saturn, Venus, Mars:
If no prow cuts your arid seas,
Then in your weightless air no wars
Explode with such catastrophes
As rock our planet all but loose
From its frayed mooring to the sun.
Law will not sanction such abuse
Forever; when the mischief's done,
Planets, rejoice, on which at night
Rains but the twelve-ton meteorite.
II
His stalk the dark delphinium
Unthorned into the tending hand
Releases . . . yet that hour will come . . .
And must, in such a spiny land.
The sikly, powdery mignonette
Before these gathering dews are gone
May pierce me --- does the rose regret
The day she did her armour on?
In that the foul supplants the fair,
The coarse defeats the twice-refined,
Is food for thought, but not despair:
All will be easier when the mind
To meet the brutal age has grown
An iron cortex of its own.
III
No further from me than my hand
Is China that I loved so well;
Love does not help to understand
The logic of the bursting shell.
Perfect in dream above me yet
Shines the white cone of Fuji-San;
I wake in fear, and weep and sweat. . .
Weep for Yoshida, for Japan.
Logic alone, all love laid by,
Must calm this crazed and plunging star:
Sorrowful news for such as I,
Who hoped --- with men just as they are,
Sinful and loving --- to secure
A human peace that might endure.