Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
Life Without Buildings
“The Leanover” in particular has always stuck out from Any Other City with its somber tone and abstract, emotionally-charged lyricism. While this abstraction makes this track difficult to dissect without trying to extrapolate meaning that may or may not be there, it’s still important to draw at leas...
If I lose you
If I lose you
If I lose you
If I lose you
In the huh, the huh, the huh, mmm
If I, if I, if I, if I, if I
B-b-baby, baby
G G G, so G G G, you you you
If I lose you
If I lose you in the huh, the huh
If I lose you in the street
If I lose you in the street
If I lose you in the street at night
If I lose you in the street
If I lose, don't be sad
If I lose you in the street
If I lose you in the street, hey
If I lose you in the street
G G come here, come in, c'mere
Feel for you
Kiss me, break my mind, close the door
Black steel, break my mind, close the door
Black steel, the sight of you falling out
The sight of you
If I lose you in the street, six
If I lose you in the street
I say, I say, I say, I say, I say, I say
Wassup? Wassup with you?
Wassup with your friends?
High heels, high heels
Oh I - MBV, MBV, MBV, MBV, MBV, more MBV, hi-fi
I wanna see you
Stand up, stand up, stand up
In the high heels
Don't trade, don't don't I don't trade
Don't trade, don't don't I don't trade
May I?
May I walk with you?
May I walk with you? Uh-oh
And the time ticks slightly back
And the time - change is recorded at the automat
San Francisco mixed with a uh-oh
And the time ticks slightly back
And the time it changes, shhh!
Emotional Chi, emotional Chi
Come on baby, don't fuss
And the time ticks slightly back
Say what? Say what?
Eh eh eh eh eh eh eh eh
And the time ticks slightly back
Questions - say what?
I like you mostly late at night
Hold tight, hold tight, hold tight with a tight
Budokan warp, Budokan warp
I warp
B B B B B freestyle
I like you mostly late at night
Break my mind, break my mind
And the time ticks slightly back
Raining in my room, sweet and sleepy
Wassup? Wassup?
I can remember, I can remember four
We can, we can, we can three
Keep us together, keep us together
Keep up, together
And the time ticks slightly back
And the time ticks slightly back
And the time ticks slightly back
Forever
You can be me, swim
The face of you
Ok the face, we can take it back
I can take you to the hills
Days like television
Days like television
D-d-d-d-d-days like television
Face of you, the face of you
And the time ticks slightly back
And the time ticks slightly back
The face of you, for, that's all
Should I wait for you, SFL?
Should I wait for you?
Should I wait for you?
Come on, should I?
Never forget who you are
There's no reason
D-d-d-d-d-d-d- girls
There's no reason, wassup?
Responsibility-free
And the time ticks slightly back
And the time
Responsibility, girls
D-d-d-d- break
Wassup?
I don't trade
Wassup?
I don't trade
Yeah, yeah
I don't trade
Wassup?
Contact, contact, just sweet, remember, contact
Boom, contact, contact
That's the way, your first, your last, your only contact
Uh-oh, uh-oh, contact
The first, the last, the only
Bounce, twirl
I don't trade
I don't trade
Yeah, yeah
And the time ticks slightly back
And the time ticks slightly back
Je danse, je suis
And the time ticks slightly back
Contact
Je suis, je danse
D-d-d-d with a bit of freestyle
And the time ticks slightly back
And the time ticks slightly back
Should I?
And the time ticks slightly back
Contact
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
Contact
He's the shaker, baby
And the time ticks slightly back
Twelve o'clock
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
Contact, swallow
Twelve o'clock, one o'clock, no pretending
Virginia, looking at it last night
Virginia plain
Recorded at the power plant, yeah
Vacant together, vacant together, eyes vacant
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
He's the shaker, baby
No pretending
Contact, you and me
Contact, you and me
Wassup? Contact
He's the shaker
Watch him, I can't stand the way I don't like it
Contact
He's the shaker, baby
He's the shaker, baby
I can't stand the way I don't like it
Contact
I don't like twelve o'clock, either
Contact
Shake it, don't go vacant on me
Don't go vacant on me
Waiting, contact, shaking, baby
He's the shaker, baby
He's the shaker, baby
Watch him, contact, shake it, baby
He's the shaker, baby
Don't go vacant, baby
He's the shaker, baby
He's the shaker, baby
I can't stand the rain, I don't like it at all
The Leanover was written by Sue Tompkins.
The Leanover was produced by Andy Miller.
Life Without Buildings released The Leanover on Mon Feb 26 2001.