The Incredible Elopement of Lord Peter Wimsey by Dorothy L. Sayers
The Incredible Elopement of Lord Peter Wimsey by Dorothy L. Sayers

The Incredible Elopement of Lord Peter Wimsey

Dorothy L. Sayers * Track #2 On Hangman’s Holiday

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The Incredible Elopement of Lord Peter Wimsey by Dorothy L. Sayers

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Dorothy L. Sayers
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Lord Peter Wimsey and Bunter are traveling in the Pyrenees when a young American anthropology professor named Langley enlists their help. Langley describes a nightmarish dinner party at the home of an American medical researcher named Standish Wetherall. Langley once had dreams of marrying Alice, wh...

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The Incredible Elopement of Lord Peter Wimsey Annotated

"That house, señor?" said the landlord of the little posada. "That is the house of the American physician, whose wife, may the blessed saints preserve us, is bewitched." He crossed himself, and so did his wife and daughter.

"Bewitched, is she?" said Langley sympathetically. He was a professor of ethnology, and this was not his first visit to the Pyrenees. He had, however, never before penеtrated to any place quite so rеmote as this tiny hamlet, clinging, like a rock-plant, high up the scarred granite shoulders of the mountain. He scented material here for his book on Basque folk-lore. With tact, he might persuade the old man to tell his story.

"And in what manner," he asked, "is the lady bespelled?"

"Who knows?" replied the landlord, shrugging his shoulders. "'The man that asked questions on Friday was buried on Saturday.' Will your honour consent to take his supper?"

Langley took the hint. To press the question would be to encounter obstinate silence. Later, when they knew him better, perhaps——

His dinner was served to him at the family table—the oily, pepper-flavoured stew to which he was so well accustomed, and the harsh red wine of the country. His hosts chattered to him freely enough in that strange Basque language which has no fellow in the world, and is said by some to be the very speech of our first fathers in Paradise. They spoke of the bad winter, and young Esteban Arramandy, so strong and swift at the pelota, who had been lamed by a falling rock and now halted on two sticks; of three valuable goats carried off by a bear; of the torrential rains that, after a dry summer, had scoured the bare ribs of the mountains. It was raining now, and the wind was howling unpleasantly. This did not trouble Langley; he knew and loved this haunted and impenetrable country at all times and seasons. Sitting in that rude peasant inn, he thought of the oak-panelled hall of his Cambridge college and smiled, and his eyes gleamed happily behind his scholarly pince-nez. He was a young man, in spite of his professorship and the string of letters after his name. To his university colleagues it seemed strange that this man, so trim, so prim, so early old, should spend his vacations eating garlic, and scrambling on mule-back along precipitous mountain-tracks. You would never think it, they said, to look at him.

There was a knock at the door.

"That is Martha," said the wife.

She drew back the latch, letting in a rush of wind and rain which made the candle gutter. A small, aged woman was blown in out of the night, her grey hair straggling in wisps from beneath her shawl.

"Come in, Martha, and rest yourself. It is a bad night. The parcel is ready—oh, yes. Dominique brought it from the town this morning. You must take a cup of wine or milk before you go back."

The old woman thanked her and sat down, panting.

"And how goes all at the house? The doctor is well?"

"He is well."

"And she?"

The daughter put the question in a whisper, and the landlord shook his head at her with a frown.

"As always at this time of the year. It is but a month now to the Day of the Dead. Jesu-Maria! it is a grievous affliction for the poor gentleman, but he is patient, patient."

"He is a good man," said Dominique, "and a skilful doctor, but an evil like that is beyond his power to cure. You are not afraid, Martha?"

"Why should I be afraid? The Evil One cannot harm me. I have no beauty, no wits, no strength for him to envy. And the Holy Relic will protect me."

Her wrinkled fingers touched something in the bosom of her dress.

"You come from the house yonder?" asked Langley.

She eyed him suspiciously.

"The señor is not of our country?"

"The gentleman is a guest, Martha," said the landlord hurriedly. "A learned English gentleman. He knows our country and speaks our language as you hear. He is a great traveller, like the American doctor, your master."

"What is your master's name?" asked Langley. It occurred to him that an American doctor who had buried himself in this remote corner of Europe must have something unusual about him. Perhaps he also was an ethnologist. If so, they might find something in common.

"He is called Wetherall." She pronounced the name several times before he was sure of it.

"Wetherall? Not Standish Wetherall?"

He was filled with extraordinary excitement.

The landlord came to his assistance.

"This parcel is for him," he said. "No doubt the name will be written there."

It was a small package, neatly sealed, bearing the label of a firm of London chemists and addressed to "Standish Wetherall, Esq., M.D."

"Good heavens!" exclaimed Langley. "But this is strange. Almost a miracle. I know this man. I knew his wife, too——"

He stopped. Again the company made the sign of the cross.

"Tell me," he said in great agitation, and forgetting his caution, "you say his wife is bewitched—afflicted—how is this? Is she the same woman I know? Describe her. She was tall, beautiful, with gold hair and blue eyes like the Madonna. Is this she?"

There was a silence. The old woman shook her head and muttered something inaudible, but the daughter whispered:

"True—it is true. Once we saw her thus, as the gentleman says——"

"Be quiet," said her father.

"Sir," said Martha, "we are in the hand of God."

She rose, and wrapped her shawl about her.

"One moment," said Langley. He pulled out his note-book and scribbled a few lines. "Will you take this letter to your master the doctor? It is to say that I am here, his friend whom he once knew, and to ask if I may come and visit him. That is all."

"You would not go to that house, excellence?" whispered the old man fearfully.

"If he will not have me, maybe he will come to me here." He added a word or two and drew a piece of money from his pocket. "You will carry my note for me?"

"Willingly, willingly. But the señor will be careful? Perhaps, though a foreigner, you are of the Faith?"

"I am a Christian," said Langley.

This seemed to satisfy her. She took the letter and the money, and secured them, together with the parcel, in a remote pocket. Then she walked to the door, strongly and rapidly for all her bent shoulders and appearance of great age.

Langley remained lost in thought. Nothing could have astonished him more than to meet the name of Standish Wetherall in this place. He had thought that episode finished and done with over three years ago. Of all people! The brilliant surgeon in the prime of his life and reputation, and Alice Wetherall, that delicate piece of golden womanhood—exiled in this forlorn corner of the world! His heart beat a little faster at the thought of seeing her again. Three years ago, he had decided that it would be wiser if he did not see too much of that porcelain loveliness. That folly was past now—but still he could not visualise her except against the background of the great white house in Riverside Drive, with the peacocks and the swimming-pool and the gilded tower with the roof-garden. Wetherall was a rich man, the son of old Hiram Wetherall the automobile magnate. What was Wetherall doing here?

He tried to remember. Hiram Wetherall, he knew, was dead, and all the money belonged to Standish, for there were no other children. There had been trouble when the only son had married a girl without parents or history. He had brought her from "somewhere out west." There had been some story of his having found her, years before, as a neglected orphan, and saved her from something or cured her of something and paid for her education, when he was still scarcely more than a student. Then, when he was a man over forty and she a girl of seventeen, he had brought her home and married her.

And now he had left his house and his money and one of the finest specialist practices in New York to come to live in the Basque country—in a spot so out of the way that men still believed in Black Magic, and could barely splutter more than a few words of bastard French or Spanish—a spot that was uncivilised even by comparison with the primitive civilisation surrounding it. Langley began to be sorry that he had written to Wetherall. It might be resented.

The landlord and his wife had gone out to see to their cattle. The daughter sat close to the fire, mending a garment. She did not look at him, but he had the feeling that she would be glad to speak.

"Tell me, child," he said gently, "what is the trouble which afflicts these people who may be friends of mine?"

"Oh!" She glanced up quickly and leaned across to him, her arms stretched out over the sewing in her lap. "Sir, be advised. Do not go up there. No one will stay in that house at this time of the year, except Tomaso, who has not all his wits, and old Martha, who is——"

"What?"

"A saint—or something else," she said hurriedly.

"Child," said Langley again, "this lady when I knew——"

"I will tell you," she said, "but my father must not know. The good doctor brought her here three years ago last June, and then she was as you say. She was beautiful. She laughed and talked in her own speech—for she knew no Spanish or Basque. But on the Night of the Dead——"

She crossed herself.

"All-Hallows Eve," said Langley softly.

"Indeed, I do not know what happened. But she fell into the power of the darkness. She changed. There were terrible cries—I cannot tell. But little by little she became what she is now. Nobody sees her but Martha and she will not talk. But the people say it is not a woman at all that lives there now."

"Mad?" said Langley.

"It is not madness. It is—enchantment. Listen. Two years since on Easter Day—is that my father?"

"No, no."

"The sun had shone and the wind came up from the valley. We heard the blessed church bells all day long. That night there came a knock at the door. My father opened and one stood there like Our Blessed Lady herself, very pale like the image in the church and with a blue cloak over her head. She spoke, but we could not tell what she said. She wept and wrung her hands and pointed down the valley path, and my father went to the stable and saddled the mule. I thought of the flight from bad King Herod. But then—the American doctor came. He had run fast and was out of breath. And she shrieked at sight of him."

A great wave of indignation swept over Langley. If the man was brutal to his wife, something must be done quickly. The girl hurried on.

"He said—Jesu-Maria—he said that his wife was bewitched. At Easter-tide the power of the Evil One was broken and she would try to flee. But as soon as the Holy Season was over, the spell would fall on her again, and therefore it was not safe to let her go. My parents were afraid to have touched the evil thing. They brought out the Holy Water and sprinkled the mule, but the wickedness had entered into the poor beast and she kicked my father so that he was lame for a month. The American took his wife away with him and we never saw her again. Even old Martha does not always see her. But every year the power waxes and wanes—heaviest at Hallow-tide and lifted again at Easter. Do not go to that house, señor, if you value your soul! Hush! they are coming back."

Langley would have liked to ask more, but his host glanced quickly and suspiciously at the girl. Taking up his candle, Langley went to bed. He dreamed of wolves, long, lean and black, running on the scent of blood.

Next day brought an answer to his letter:

"Dear Langley,—Yes, this is myself, and of course I remember you well. Only too delighted to have you come and cheer our exile. You will find Alice somewhat changed, I fear, but I will explain our misfortunes when we meet. Our household is limited, owing to some kind of superstitious avoidance of the afflicted, but if you will come along about half-past seven, we can give you a meal of sorts. Martha will show you the way.

"Cordially,
Standish Wetherall."

The doctor's house was small and old, stuck halfway up the mountain-side on a kind of ledge in the rock-wall. A stream, unseen but clamorous, fell echoing down close at hand. Langley followed his guide into a dim, square room with a great hearth at one end and, drawn close before the fire, an armchair with wide, sheltering ears. Martha, muttering some sort of apology, hobbled away and left him standing there in the half-light. The flames of the wood fire, leaping and falling, made here a gleam and there a gleam, and, as his eyes grew familiar with the room, he saw that in the centre was a table laid for a meal, and that there were pictures on the walls. One of these struck a familiar note. He went close to it and recognised a portrait of Alice Wetherall that he had last seen in New York. It was painted by Sargent in his happiest mood, and the lovely wild-flower face seemed to lean down to him with the sparkling smile of life.

A log suddenly broke and fell in the hearth, flaring. As though the little noise and light had disturbed something, he heard, or thought he heard, a movement from the big chair before the fire. He stepped forward, and then stopped. There was nothing to be seen, but a noise had begun; a kind of low, animal muttering, extremely disagreeable to listen to. It was not made by a dog or a cat, he felt sure. It was a sucking, slobbering sound that affected him in a curiously sickening way. It ended in a series of little grunts or squeals, and then there was silence.

Langley stepped backwards towards the door. He was positive that something was in the room with him that he did not care about meeting. An absurd impulse seized him to run away. He was prevented by the arrival of Martha, carrying a big, old-fashioned lamp, and behind her, Wetherall, who greeted him cheerfully.

The familiar American accents dispelled the atmosphere of discomfort that had been gathering about Langley. He held out a cordial hand.

"Fancy meeting you here," said he.

"The world is very small," replied Wetherall. "I am afraid that is a hardy bromide, but I certainly am pleased to see you," he added, with some emphasis.

The old woman had put the lamp on the table, and now asked if she should bring in the dinner. Wetherall replied in the affirmative, using a mixture of Spanish and Basque which she seemed to understand well enough.

"I didn't know you were a Basque scholar," said Langley.

"Oh, one picks it up. These people speak nothing else. But of course Basque is your speciality, isn't it?"

"Oh, yes."

"I daresay they have told you some queer things about us. But we'll go into that later. I've managed to make the place reasonably comfortable, though I could do with a few more modern conveniences. However, it suits us."

Langley took the opportunity to mumble some sort of inquiry about Mrs. Wetherall.

"Alice? Ah, yes, I forgot—you have not seen her yet." Wetherall looked hard at him with a kind of half-smile. "I should have warned you. You were—rather an admirer of my wife in the old days."

"Like everyone else," said Langley.

"No doubt. Nothing specially surprising about it, was there? Here comes dinner. Put it down, Martha, and we will ring when we are ready."

The old woman set down a dish upon the table, which was handsomely furnished with glass and silver, and went out. Wetherall moved over to the fireplace, stepping sideways and keeping his eyes oddly fixed on Langley. Then he addressed the armchair.

"Alice! Get up, my dear, and welcome an old admirer of yours. Come along. You will both enjoy it. Get up."

Something shuffled and whimpered among the cushions. Wetherall stooped, with an air of almost exaggerated courtesy, and lifted it to its feet. A moment, and it faced Langley in the lamplight.

It was dressed in a rich gown of gold satin and lace, that hung rucked and crumpled upon the thick and slouching body. The face was white and puffy, the eyes vacant, the mouth drooled open, with little trickles of saliva running from the loose corners. A dry fringe of rusty hair clung to the half-bald scalp, like the dead wisps on the head of a mummy.

"Come, my love," said Wetherall. "Say how do you do to Mr. Langley."

The creature blinked and mouthed out some inhuman sounds. Wetherall put his hand under its forearm, and it slowly extended a lifeless paw.

"There, she recognises you all right. I thought she would. Shake hands with him, my dear."

With a sensation of nausea, Langley took the inert hand. It was clammy and coarse to the touch and made no attempt to return his pressure. He let it go; it pawed vaguely in the air for a moment and then dropped.

"I was afraid you might be upset," said Wetherall, watching him. "I have grown used to it, of course, and it doesn't affect me as it would an outsider. Not that you are an outsider—anything but that—eh? Premature senility is the lay name for it, I suppose. Shocking, of course, if you haven't met it before. You needn't mind, by the way, what you say. She understands nothing."

"How did it happen?"

"I don't quite know. Came on gradually. I took the best advice, naturally, but there was nothing to be done. So we came here. I didn't care about facing things at home where everybody knew us. And I didn't like the idea of a sanatorium. Alice is my wife, you know—sickness or health, for better, for worse, and all that. Come along; dinner's getting cold."

He advanced to the table, leading his wife, whose dim eyes seemed to brighten a little at the sight of food.

"Sit down, my dear, and eat your nice dinner. (She understands that, you see.) You'll excuse her table-manners, won't you? They're not pretty, but you'll get used to them."

He tied a napkin round the neck of the creature and placed food before her in a deep bowl. She snatched at it hungrily, slavering and gobbling as she scooped it up in her fingers and smeared face and hands with the gravy.

Wetherall drew out a chair for his guest opposite to where his wife sat. The sight of her held Langley with a kind of disgusted fascination.

The food—a sort of salmis—was deliciously cooked, but Langley had no appetite. The whole thing was an outrage, to the pitiful woman and to himself. Her seat was directly beneath the Sargent portrait, and his eyes went helplessly from the one to the other.

"Yes," said Wetherall, following his glance. "There is a difference, isn't there?" He himself was eating heartily and apparently enjoying his dinner. "Nature plays sad tricks upon us."

"Is it always like this?"

"No; this is one of her bad days. At times she will be—almost human. Of course these people here don't know what to think of it all. They have their own explanation of a very simple medical phenomenon."

"Is there any hope of recovery?"

"I'm afraid not—not of a permanent cure. You are not eating anything."

"I—well, Wetherall, this has been a shock to me."

"Of course. Try a glass of burgundy. I ought not to have asked you to come, but the idea of talking to an educated fellow-creature once again tempted me, I must confess."

"It must be terrible for you."

"I have become resigned. Ah, naughty, naughty!" The idiot had flung half the contents of her bowl upon the table. Wetherall patiently remedied the disaster, and went on:

"I can bear it better here, in this wild place where everything seems possible and nothing unnatural. My people are all dead, so there was nothing to prevent me from doing as I liked about it."

"No. What about your property in the States?"

"Oh, I run over from time to time to keep an eye on things. In fact, I am due to sail next month. I'm glad you caught me. Nobody over there knows how we're fixed, of course. They just know we're living in Europe."

"Did you consult no American doctor?"

"No. We were in Paris when the first symptoms declared themselves. That was shortly after that visit you paid to us." A flash of some emotion to which Langley could not put a name made the doctor's eyes for a moment sinister. "The best men on this side confirmed my own diagnosis. So we came here."

He rang for Martha, who removed the salmis and put on a kind of sweet pudding.

"Martha is my right hand," observed Wetherall. "I don't know what we shall do without her. When I am away, she looks after Alice like a mother. Not that there's much one can do for her, except to keep her fed and warm and clean—and the last is something of a task."

There was a note in his voice which jarred on Langley. Wetherall noticed his recoil and said:

"I won't disguise from you that it gets on my nerves sometimes. But it can't be helped. Tell me about yourself. What have you been doing lately?"

Langley replied with as much vivacity as he could assume, and they talked of indifferent subjects till the deplorable being which had once been Alice Wetherall began to mumble and whine fretfully and scramble down from her chair.

"She's cold," said Wetherall. "Go back to the fire, my dear."

He propelled her briskly towards the hearth, and she sank back into the armchair, crouching and complaining and thrusting out her hands towards the blaze. Wetherall brought out brandy and a box of cigars.

"I contrive just to keep in touch with the world, you see," he said. "They send me these from London. And I get the latest medical journals and reports. I'm writing a book, you know, on my own subject; so I don't vegetate. I can experiment, too—plenty of room for a laboratory, and no Vivisection Acts to bother one. It's a good country to work in. Are you staying here long?"

"I think not very."

"Oh! If you had thought of stopping on, I would have offered you the use of this house while I was away. You would find it more comfortable than the posada, and I should have no qualms, you know, about leaving you alone in the place with my wife—under the peculiar circumstances."

He stressed the last words and laughed. Langley hardly knew what to say.

"Really, Wetherall——"

"Though, in the old days, you might have liked the prospect more and I might have liked it less. There was a time, I think, Langley, when you would have jumped at the idea of living alone with—my wife."

Langley jumped up.

"What the devil are you insinuating, Wetherall?"

"Nothing, nothing. I was just thinking of the afternoon when you and she wandered away at a picnic and got lost. You remember? Yes, I thought you would."

"This is monstrous," retorted Langley. "How dare you say such things—with that poor soul sitting there——?"

"Yes, poor soul. You're a poor thing to look at now, aren't you, my kitten?"

He turned suddenly to the woman. Something in his abrupt gesture seemed to frighten her, and she shrank away from him.

"You devil!" cried Langley. "She's afraid of you. What have you been doing to her? How did she get into this state? I will know!"

"Gently," said Wetherall. "I can allow for your natural agitation at finding her like this, but I can't have you coming between me and my wife. What a faithful fellow you are, Langley. I believe you still want her—just as you did before when you thought I was dumb and blind. Come now, have you got designs on my wife, Langley? Would you like to kiss her, caress her, take her to bed with you—my beautiful wife?"

A scarlet fury blinded Langley. He dashed an inexpert fist at the mocking face. Wetherall gripped his arm, but he broke away. Panic seized him. He fled stumbling against the furniture and rushed out. As he went he heard Wetherall very softly laughing.

The train to Paris was crowded. Langley, scrambling in at the last moment, found himself condemned to the corridor. He sat down on a suitcase and tried to think. He had not been able to collect his thoughts on his wild flight. Even now, he was not quite sure what he had fled from. He buried his head in his hands.

"Excuse me," said a polite voice.

Langley looked up. A fair man in a grey suit was looking down at him through a monocle.

"Fearfully sorry to disturb you," went on the fair man. "I'm just tryin' to barge back to my jolly old kennel. Ghastly crowd, isn't it? Don't know when I've disliked my fellow-creatures more. I say, you don't look frightfully fit. Wouldn't you be better on something more comfortable?"

Langley explained that he had not been able to get a seat. The fair man eyed his haggard and unshaven countenance for a moment and then said:

"Well, look here, why not come and lay yourself down in my bin[Pg 36] for a bit? Have you had any grub? No? That's a mistake. Toddle along with me and we'll get hold of a spot of soup and so on. You'll excuse my mentioning it, but you look as if you'd been backing a system that's come unstuck, or something. Not my business, of course, but do have something to eat."

Langley was too faint and sick to protest. He stumbled obediently along the corridor till he was pushed into a first-class sleeper, where a rigidly correct manservant was laying out a pair of mauve silk pyjamas and a set of silver-mounted brushes.

"This gentleman's feeling rotten, Bunter," said the man with the monocle, "so I've brought him in to rest his aching head upon thy breast. Get hold of the commissariat and tell 'em to buzz a plate of soup along and a bottle of something drinkable."

"Very good, my lord."

Langley dropped, exhausted, on the bed, but when the food appeared he ate and drank greedily. He could not remember when he had last made a meal.

"I say," he said, "I wanted that. It's awfully decent of you. I'm sorry to appear so stupid. I've had a bit of a shock."

"Tell me all," said the stranger pleasantly.

The man did not look particularly intelligent, but he seemed friendly, and above all, normal. Langley wondered how the story would sound.

"I'm an absolute stranger to you," he began.

"And I to you," said the fair man. "The chief use of strangers is to tell things to. Don't you agree?"

"I'd like——" said Langley. "The fact is, I've run away from something. It's queer—it's—but what's the use of bothering you with it?"

The fair man sat down beside him and laid a slim hand on his arm.

"Just a moment," he said. "Don't tell me anything if you'd rather not. But my name is Wimsey—Lord Peter Wimsey—and I am interested in queer things."

It was the middle of November when the strange man came to the village. Thin, pale and silent, with his great black hood flapping about his face, he was surrounded with an atmosphere of mystery from the start. He settled down, not at the inn, but in a dilapidated cottage high up in the mountains, and he brought with him five mule-loads of mysterious baggage and a servant. The servant was almost as uncanny as the master; he was a Spaniard and spoke Basque well enough to act as an interpreter for his employer when necessary; but his words were few, his aspect gloomy and stern, and such brief information as he vouchsafed, disquieting in the extreme. His master, he said, was a wise man; he spent all his time reading books; he ate no flesh; he was of no known country; he spoke the language of the Apostles and had talked with blessed Lazarus after his return from the grave; and when he sat alone in his chamber by night, the angels of God came and conversed with him in celestial harmonies.

This was terrifying news. The few dozen villagers avoided the little cottage, especially at night-time; and when the pale stranger was seen coming down the mountain path, folded in his black robe and bearing one of his magic tomes beneath his arm, the women pushed their children within doors, and made the sign of the cross.

Nevertheless, it was a child that first made the personal acquaintance of the magician. The small son of the Widow Etcheverry, a child of bold and inquisitive disposition, went one evening adventuring into the unhallowed neighbourhood. He was missing for two hours, during which his mother, in a frenzy of anxiety, had called the neighbours about her and summoned the priest, who had unhappily been called away on business to the town. Suddenly, however, the child reappeared, well and cheerful, with a strange story to tell.

He had crept up close to the magician's house (the bold, wicked child, did ever you hear the like?) and climbed into a tree to spy upon the stranger (Jesu-Maria!) And he saw a light in the window, and strange shapes moving about and shadows going to and fro within the room. And then there came a strain of music so ravishing it drew the very heart out of his body, as though all the stars were singing together. (Oh, my precious treasure! The wizard has stolen the heart out of him, alas! alas!) Then the cottage door opened and the wizard came out and with him a great company of familiar spirits. One of them had wings like a seraph and talked in an unknown tongue, and another was like a wee man, no higher than your knee, with a black face and a white beard, and he sat on the wizard's shoulder and whispered in his ear. And the heavenly music played louder and louder. And the wizard had a pale flame all about his head, like the pictures of the saints. (Blessed St. James of Compostella, be merciful to us all! And what then?) Why then he, the boy, had been very much frightened and wished he had not come, but the little dwarf spirit had seen him and jumped into the tree after him, climbing—oh! so fast! And he had tried to climb higher and had slipped and fallen to the ground. (Oh, the poor, wicked, brave, bad boy!)

Then the wizard had come and picked him up and spoken strange words to him and all the pain had gone away from the places where he had bumped himself (Marvellous! marvellous!), and he had carried him into the house. And inside, it was like the streets of Heaven, all gold and glittering. And the familiar spirits had sat beside the fire, nine in number, and the music had stopped playing. But the wizard's servant had brought him marvellous fruits in a silver dish, like fruits of Paradise, very sweet and delicious, and he had eaten them, and drunk a strange, rich drink from a goblet covered with red and blue jewels. Oh, yes—and there had been a tall crucifix on the wall, big, big, with a lamp burning before it and a strange sweet perfume like the smell in church on Easter Day.

(A crucifix? That was strange. Perhaps the magician was not so wicked after all. And what next?)

Next, the wizard's servant had told him not to be afraid, and had asked his name and his age and whether he could repeat his Paternoster. So he had said that prayer and the Ave Maria and part of the Credo, but the Credo was long and he had forgotten what came after "ascendit in cœlum." So the wizard had prompted him and they had finished saying it together. And the wizard had pronounced the sacred names and words without flinching and in the right order, so far as he could tell. And then the servant had asked further about himself and his family, and he had told about the death of the black goat and about his sister's lover, who had left her because she had not so much money as the merchant's daughter. Then the wizard and his servant had spoken together and laughed, and the servant had said: "My master gives this message to your sister: that where there is no love there is no wealth, but he that is bold shall have gold for the asking." And with that, the wizard had put forth his hand into the air and taken from it—out of the empty air, yes, truly—one, two, three, four, five pieces of money and given them to him. And he was afraid to take them till he had made the sign of the cross upon them, and then, as they did not vanish or turn into fiery serpents, he had taken them, and here they were!

So the gold pieces were examined and admired in fear and trembling, and then, by grandfather's advice, placed under the feet of the image of Our Lady, after a sprinkling with Holy Water for their better purification. And on the next morning, as they were still there, they were shown to the priest, who arrived, tardy and flustered upon his last night's summons, and by him pronounced to be good Spanish coin, whereof one piece being devoted to the Church to put all right with Heaven, the rest might be put to secular uses without peril to the soul. After which, the good padre made his hasty way to the cottage, and returned, after an hour, filled with good reports of the wizard.

"For, my children," said he, "this is no evil sorcerer, but a Christian man, speaking the language of the Faith. He and I have conversed together with edification. Moreover, he keeps very good wine and is altogether a very worthy person. Nor did I perceive any familiar spirits or flaming apparitions; but it is true that there is a crucifix and also a very handsome Testament with pictures in gold and colour. Benedicite, my children. This is a good and learned man."

And away he went back to his presbytery; and that winter the chapel of Our Lady had a new altar-cloth.

After that, each night saw a little group of people clustered at a safe distance to hear the music which poured out from the wizard's windows, and from time to time a few bold spirits would creep up close enough to peer through the chinks of the shutters and glimpse the marvels within.

The wizard had been in residence about a month, and sat one night after his evening meal in conversation with his servant. The black hood was pushed back from his head, disclosing a sleek poll of fair hair, and a pair of rather humorous grey eyes, with a cynical droop of the lids. A glass of Cockburn 1908 stood on the table at his elbow and from the arm of his chair a red-and-green parrot gazed unwinkingly at the fire.

"Time is getting on, Juan," said the magician. "This business is very good fun and all that—but is there anything doing with the old lady?"

"I think so, my lord. I have dropped a word or two here and there of marvellous cures and miracles. I think she will come. Perhaps even to-night."

"Thank goodness! I want to get the thing over before Wetherall comes back, or we may find ourselves in Queer Street. It will take some weeks, you know, before we are ready to move, even if the scheme works at all. Damn it, what's that?"

Juan rose and went into the inner room, to return in a minute carrying the lemur.

"Micky had been playing with your hair-brushes," he said indulgently, "Naughty one, be quiet! Are you ready for a little practice, my lord?"

"Oh, rather, yes! I'm getting quite a dab at this job. If all else fails, I shall try for an engagement with Maskelyn."

Juan laughed, showing his white teeth. He brought out a set of billiard-balls, coins and other conjuring apparatus, palming and multiplying them negligently as he went. The other took them from him, and the lesson proceeded.

"Hush!" said the wizard, retrieving a ball which had tiresomely slipped from his fingers in the very act of vanishing. "There's somebody coming up the path."

He pulled his robe about his face and slipped silently into the inner room. Juan grinned, removed the decanter and glasses, and extinguished the lamp. In the firelight the great eyes of the lemur gleamed strongly as it hung on the back of the high chair. Juan pulled a large folio from the shelf, lit a scented pastille in a curiously shaped copper vase and pulled forward a heavy iron cauldron which stood on the hearth. As he piled the logs about it, there came a knock. He opened the door, the lemur running at his heels.

"Whom do you seek, mother?" he asked, in Basque.

"Is the Wise One at home?"

"His body is at home, mother; his spirit holds converse with the unseen. Enter. What would you with us?"

"I have come, as I said—ah, Mary! Is that a spirit?"

[Pg 40]"God made spirits and bodies also. Enter and fear not."

The old woman came tremblingly forward.

"Hast thou spoken with him of what I told thee?"

"I have. I have shown him the sickness of thy mistress—her husband's sufferings—all."

"What said he?"

"Nothing; he read in his book."

"Think you he can heal her?"

"I do not know; the enchantment is a strong one; but my master is mighty for good."

"Will he see me?"

"I will ask him. Remain here, and beware thou show no fear, whatever befall."

"I will be courageous," said the old woman, fingering her beads.

Juan withdrew. There was a nerve-shattering interval. The lemur had climbed up to the back of the chair again and swung, teeth-chattering, among the leaping shadows. The parrot cocked his head and spoke a few gruff words from his corner. An aromatic steam began to rise from the cauldron. Then, slowly into the red light, three, four, seven white shapes came stealthily and sat down in a circle about the hearth. Then, a faint music, that seemed to roll in from leagues away. The flame flickered and dropped. There was a tall cabinet against the wall, with gold figures on it that seemed to move with the moving firelight.

Then, out of the darkness, a strange voice chanted in an unearthly tongue that sobbed and thundered.

Martha's knees gave under her. She sank down. The seven white cats rose and stretched themselves, and came sidling slowly about her. She looked up and saw the wizard standing before her, a book in one hand and a silver wand in the other. The upper part of his face was hidden, but she saw his pale lips move and presently he spoke, in a deep, husky tone that vibrated solemnly in the dim room:

"ὦ πέπον, εἰ μὲν γὰρ, πόλεμον περὶ τόνδε φυγόντε,
αἰεὶ δὴ μέλλοιμεν ἀγήρω τ' ἀθανάτω τε
ἔσσεσθ' οὔτε κεν αὐτὸς ἐνὶ πρώτοισι μαχοίμην,
οὔτε κέ σε στέλλοιμι μάχην ἐς κυδιάνειραν …"[1]

The great syllables went rolling on. Then the wizard paused, and added, in a kinder tone:

"Great stuff, this Homer. 'It goes so thunderingly as though it conjured devils.' What do I do next?"

The servant had come back, and now whispered in Martha's ear.

"Speak now," said he. "The master is willing to help you."

Thus encouraged, Martha stammered out her request. She had come to ask the Wise Man to help her mistress, who lay under an enchantment. She had brought an offering—the best she could find, for she had not[Pg 41] liked to take anything of her master's during his absence. But here were a silver penny, an oat-cake, and a bottle of wine, very much at the wizard's service, if such small matters could please him.

The wizard, setting aside his book, gravely accepted the silver penny, turned it magically into six gold pieces and laid the offering on the table. Over the oat-cake and the wine he showed a little hesitation, but at length, murmuring:

"Ergo omnis longo solvit se Teucria luctu"

(a line notorious for its grave spondaic cadence), he metamorphosed the one into a pair of pigeons and the other into a curious little crystal tree in a metal pot, and set them beside the coins. Martha's eyes nearly started from her head, but Juan whispered encouragingly:

"The good intention gives value to the gift. The master is pleased. Hush!"

The music ceased on a loud chord. The wizard, speaking now with greater assurance, delivered himself with fair accuracy of a page or so from Homer's Catalogue of the Ships, and, drawing from the folds of his robe his long white hand laden with antique rings, produced from mid-air a small casket of shining metal, which he proffered to the suppliant.

"The master says," prompted the servant, "that you shall take this casket, and give to your lady of the wafers which it contains, one at every meal. When all have been consumed, seek this place again. And remember to say three Aves and two Paters morning and evening for the intention of the lady's health. Thus, by faith and diligence, the cure may be accomplished."

Martha received the casket with trembling hands.

"Tendebantque manus ripæ ulterioris amore," said the wizard, with emphasis. "Poluphloisboio thalasses. Ne plus ultra. Valete. Plaudite."

He stalked away into the darkness, and the audience was over.

"It is working, then?" said the wizard to Juan.

The time was five weeks later, and five more consignments of enchanted wafers had been ceremoniously dispatched to the grim house on the mountain.

"It is working," agreed Juan. "The intelligence is returning, the body is becoming livelier and the hair is growing again."

"Thank the Lord! It was a shot in the dark, Juan, and even now I can hardly believe that anyone in the world could think of such a devilish trick. When does Wetherall return?"

"In three weeks' time."

"Then we had better fix our grand finale for to-day fortnight. See that the mules are ready, and go down to the town and get a message off to the yacht."

"Yes, my lord."

"That will give you a week to get clear with the menagerie and the baggage. And—I say, how about Martha? Is it dangerous to leave her behind, do you think?"

"I will try to persuade her to come back with us."

"Do. I should hate anything unpleasant to happen to her. The man's a criminal lunatic. Oh, lord! I'll be glad when this is over. I want to get into a proper suit of clothes again. What Bunter would say if he saw this——"

The wizard laughed, lit a cigar and turned on the gramophone.

The last act was duly staged a fortnight later.

It had taken some trouble to persuade Martha of the necessity of bringing her mistress to the wizard's house. Indeed, that supernatural personage had been obliged to make an alarming display of wrath and declaim two whole choruses from Euripides before gaining his point. The final touch was put to the terrors of the evening by a demonstration of the ghastly effects of a sodium flame—which lends a very corpse-like aspect to the human countenance, particularly in a lonely cottage on a dark night, and accompanied by incantations and the "Danse Macabre" of Saint-Saens.

Eventually the wizard was placated by a promise, and Martha departed, bearing with her a charm, engrossed upon parchment, which her mistress was to read and thereafter hang about her neck in a white silk bag.

Considered as a magical formula, the document was perhaps a little unimpressive in its language, but its meaning was such as a child could understand. It was in English, and ran:

"You have been ill and in trouble, but your friends are ready to cure you and help you. Don't be afraid, but do whatever Martha tells you, and you will soon be quite well and happy again."

"And even if she can't understand it," said the wizard to his man, "it can't possibly do any harm."

The events of that terrible night have become legend in the village. They tell by the fireside with bated breath how Martha brought the strange, foreign lady to the wizard's house, that she might be finally and for ever freed from the power of the Evil One. It was a dark night and a stormy one, with the wind howling terribly through the mountains.

The lady had become much better and brighter through the wizard's magic—though this, perhaps, was only a fresh glamour and delusion—and she had followed Martha like a little child on that strange and secret journey. They had crept out very quietly to elude the vigilance of old Tomaso, who had strict orders from the doctor never to let the lady stir one step from the house. As for that, Tomaso swore that he had been cast into an enchanted sleep—but who knows? There may have been no more to it than over-much wine. Martha was a cunning woman, and, some said, little better than a witch herself.

Be that as it might, Martha and the lady had come to the cottage, and there the wizard had spoken many things in a strange tongue, and the lady had spoken likewise. Yes—she who for so long had only grunted like a beast, had talked with the wizard and answered him. Then the wizard had drawn strange signs upon the floor round about the lady and himself. And when the lamp was extinguished, the signs glowed awfully, with a pale light of their own. The wizard also drew a circle about Martha herself, and warned her to keep inside it. Presently they heard a rushing noise, like great wings beating, and all the familiars leaped about, and the little white man with the black face ran up the curtain and swung from the pole. Then a voice cried out: "He comes! He comes!" and the wizard opened the door of the tall cabinet with gold images upon it, that stood in the centre of the circle, and he and the lady stepped inside it and shut the doors after them.

The rushing sound grew louder and the familiar spirits screamed and chattered—and then, all of a sudden, there was a thunder-clap and a great flash of light and the cabinet was shivered into pieces and fell down. And lo and behold! the wizard and the lady had vanished clean away and were never more seen or heard of.

This was Martha's story, told the next day to her neighbours. How she had escaped from the terrible house she could not remember. But when, some time after, a group of villagers summoned up courage to visit the place again, they found it bare and empty. Lady, wizard, servant, familiars, furniture, bags and baggage—all were gone, leaving not a trace behind them, except a few mysterious lines and figures traced on the floor of the cottage.

This was a wonder indeed. More awful still was the disappearance of Martha herself, which took place three nights afterwards.

Next day, the American doctor returned, to find an empty hearth and a legend.

"Yacht ahoy!"

Langley peered anxiously over the rail of the Abracadabra as the boat loomed out of the blackness. When the first passenger came aboard, he ran hastily to greet him.

"Is it all right, Wimsey?"

"Absolutely all right. She's a bit bewildered, of course—but you needn't be afraid. She's like a child, but she's getting better every day. Bear up, old man—there's nothing to shock you about her."

Langley moved hesitatingly forward as a muffled female figure was hoisted gently on board.

"Speak to her," said Wimsey. "She may or may not recognise you. I can't say."

Langley summoned up his courage. "Good evening, Mrs. Wetherall," he said, and held out his hand.

The woman pushed the cloak from her face. Her blue eyes gazed shyly at him in the lamplight—then a smile broke out upon her lips.

"Why, I know you—of course I know you. You're Mr. Langley. I'm so glad to see you."

She clasped his hand in hers.

"Well, Langley," said Lord Peter, as he manipulated the syphon, "a more abominable crime it has never been my fortune to discover. My religious beliefs are a little ill-defined, but I hope something really beastly happens to Wetherall in the next world. Say when!

"You know, there were one or two very queer points about that story you told me. They gave me a line on the thing from the start.

"To begin with, there was this extraordinary kind of decay or imbecility settlin' in on a girl in her twenties—so conveniently, too, just after you'd been hangin' round the Wetherall home and showin' perhaps a trifle too much sensibility, don't you see? And then there was this tale of the conditions clearin' up regularly once a year or so—not like any ordinary brain-trouble. Looked as if it was being controlled by somebody.

"Then there was the fact that Mrs. Wetherall had been under her husband's medical eye from the beginning, with no family or friends who knew anything about her to keep a check on the fellow. Then there was the determined isolation of her in a place where no doctor could see her and where, even if she had a lucid interval, there wasn't a soul who could understand or be understood by her. Queer, too, that it should be a part of the world where you, with your interests, might reasonably be expected to turn up some day and be treated to a sight of what she had turned into. Then there were Wetherall's well-known researches, and the fact that he kept in touch with a chemist in London.

"All that gave me a theory, but I had to test it before I could be sure I was right. Wetherall was going to America, and that gave me a chance; but of course he left strict orders that nobody should get into or out of his house during his absence. I had, somehow, to establish an authority greater than his over old Martha, who is a faithful soul, God bless her! Hence, exit Lord Peter Wimsey and enter the magician. The treatment was tried and proved successful—hence the elopement and the rescue.

"Well, now, listen—and don't go off the deep end. It's all over now. Alice Wetherall is one of those unfortunate people who suffer from congenital thyroid deficiency. You know the thyroid gland in your throat—the one that stokes the engine and keeps the old brain going. In some people the thing doesn't work properly, and they turn out cretinous imbeciles. Their bodies don't grow and their minds don't work. But feed 'em the stuff, and they come absolutely all right—cheery and handsome and intelligent and lively as crickets. Only, don't you see, you have to keep feeding it to 'em, otherwise they just go back to an imbecile condition.

"Wetherall found this girl when he was a bright young student just learning about the thyroid. Twenty years ago, very few experiments had been made in this kind of treatment, but he was a bit of a pioneer. He gets hold of the kid, works a miraculous cure, and, bein' naturally bucked with himself, adopts her, gets her educated, likes the look of her, and finally marries her. You understand, don't you, that there's nothing fundamentally unsound about those thyroid deficients. Keep 'em going on the little daily dose, and they're normal in every way, fit to live an ordinary life and have ordinary healthy children.

"Nobody, naturally, knew anything about this thyroid business except the girl herself and her husband. All goes well till you come along. Then Wetherall gets jealous——"

"He had no cause."

Wimsey shrugged his shoulders.

"Possibly, my lad, the lady displayed a preference—we needn't go into that. Anyhow, Wetherall did get jealous and saw a perfectly marvellous revenge in his power. He carried his wife off to the Pyrenees, isolated her from all help, and then simply sat back and starved her of her thyroid extract. No doubt he told her what he was going to do, and why. It would please him to hear her desperate appeals—to let her feel herself slipping back day by day, hour by hour, into something less than a beast——"

"Oh, God!"

"As you say. Of course, after a time, a few months, she would cease to know what was happening to her. He would still have the satisfaction of watching her—seeing her skin thicken, her body coarsen, her hair fall out, her eyes grow vacant, her speech die away into mere animal noises, her brain go to mush, her habits——"

"Stop it, Wimsey."

"Well, you saw it all yourself. But that wouldn't be enough for him. So, every so often, he would feed her the thyroid again and bring her back sufficiently to realise her own degradation——"

"If only I had the brute here!"

"Just as well you haven't. Well then, one day—by a stroke of luck—Mr. Langley, the amorous Mr. Langley, actually turns up. What a triumph to let him see——"

Langley stopped him again.

"Right-ho! but it was ingenious, wasn't it? So simple. The more I think of it, the more it fascinates me. But it was just that extra refinement of cruelty that defeated him. Because, when you told me the story, I couldn't help recognising the symptoms of thyroid deficiency, and I thought, 'Just supposing'—so I hunted up the chemist whose name you saw on the parcel, and, after unwinding a lot of red tape, got him to admit that he had several times sent Wetherall consignments of thyroid extract. So then I was almost sure, don't you see.

"I got a doctor's advice and a supply of gland extract, hired a tame Spanish conjurer and some performing cats and things, and barged off complete with disguise and a trick cabinet devised by the ingenious Mr. Devant. I'm a bit of a conjurer myself, and between us we didn't do so badly. The local superstitions helped, of course, and so did the gramophone records. Schubert's "Unfinished" is first class for producing an atmosphere of gloom and mystery, so are luminous paint and the remnants of a classical education."

"Look here, Wimsey, will she get all right again?"

"Right as ninepence, and I imagine that any American court would give her a divorce on the grounds of persistent cruelty. After that—it's up to you!"

Lord Peter's friends greeted his reappearance in London with mild surprise.

"And what have you been doing with yourself?" demanded the Hon. Freddy Arbuthnot.

"Eloping with another man's wife," replied his lordship. "But only," he hastened to add, "in a purely Pickwickian sense. Nothing in it for yours truly. Oh, well! Let's toddle round to the Holborn Empire, and see what George Robey can do for us."

The Incredible Elopement of Lord Peter Wimsey Q&A

Who wrote The Incredible Elopement of Lord Peter Wimsey's ?

The Incredible Elopement of Lord Peter Wimsey was written by Dorothy L. Sayers.

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