Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor & Randy Stonehill
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
The Swirling Eddies & Jimmy P. Brown II
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
Terry Scott Taylor
The Swirling Eddies
Terry Scott Taylor
This duet with Randy Stonehill is a close paraphrase of the introductory poem to William Blake’s Songs of Innocence.
Taylor previously paraphrased the poem on Daniel Amos’s “William Blake”.
[Verse 1: Terry Scott Taylor]
A child floating down on a cloud in the sky
Said "Sing me a song 'bout a lamb"
So I sang and he smiled, so I sang again
As he placed a reed in my hand
And with my rural pen I stained the water clear
And wrote this song for every little child to hear
[Chorus 1: Terry Scott Taylor]
A song of innocence
A song of goodness and light
A song of innocence
A song of goodness and light
[Verse 2: Randy Stonehill]
Said the child hovering there on his cloud in the sky
"Please sing me the song once again"
And when it was over, he vanished from sight
These are the words sung to him
The One who's meek and mild you'll find is always near
And I will sing this song for every child to hear
[Chorus 2: Randy Stonehill and Terry Scott Taylor]
A song of innocence
(Little lamb, who made thee?)
A song of goodness and light
(Little lamb, I'll tell you)
A song of innocence
(He is called by thy name)
A song of goodness and light
(He became a child, too)
[Verse 1: Terry Scott Taylor]
A child floating down on a cloud in the sky
Said "Sing me a song 'bout a lamb"
[Chorus 1: Terry Scott Taylor]
A song of innocence
A song of goodness and light
A song of innocence
A song of goodness and light
A song of innocence
Song of Innocence was written by Terry Scott Taylor.
Song of Innocence was produced by Rob Watson.
Terry Scott Taylor released Song of Innocence on Wed Jan 01 1986.
In a 2019 post to his Patreon subscribers, Taylor wrote that
Blake was an artist and poet who was prone to visions (some of them quite bizarre), and with [“Song of Innocence”] I was attempting to create a musical and lyrical ambience reflective of Blake’s gentler, more accessibly orthodox visionary...