Sawdust and Diamonds, the third track on Ys, is about dealing with the grief of losing a child. Joanna grapples with her own mortality as well as the unpredictable potential pain that comes with relationships, desire, and motherhood.
From the top of the flight
Of the wide, white stairs
Through the rest of my life
Do you wait for me there?
There’s a bell in my ears
There’s the wide, white roar
Drop a bell down the stairs
Hear it fall forevermore
Hear it fall forevermore
Drop a bell off of the dock
Blot it out in the sea
Drowning mute as a rock;
And sounding mutiny
There’s a light in the wings, hits the system of strings
From the side, where they swing —
See the wires, the wires, the wires
And the articulation in our elbows and knees
Makes us buckle;
And we couple in endless increase
As the audience admires
And the little white dove
Made with love, made with love;
Made with glue, and a glove, and some pliers
Swings a low sickle arc, from its perch in the dark:
Settle down, settle down, my desire
And the moment I slept, I was swept up in a terrible tremor
Though no longer bereft, how I shook! And I couldn’t remember
And then the furthermost shake drove a murthering stake in
And cleft me right down through my center
And I shouldn’t say so, but I know that it was then, or never
Push me back into a tree
Bind my buttons with salt
Fill my long ears with bees
Praying please please please love
You ought not
No you ought not
And then the system of strings tugs on the tip of my wings
(cut from cardboard and old magazines):
Makes me warble and rise, like a sparrow
And in the place where I stood, there is a circle of wood —
A cord or two — which you chop, and you stack in your barrow
It is terribly good to carry water and chop wood
Streaked with soot, heavy-booted and wild-eyed;
As I crash through the rafters
And the ropes and the pulleys trail after
And the holiest belfry burns sky-high
And then the slow lip of fire moves across the prairie with precision
While, somewhere, with your pliers and glue, you make your first incision
And in a moment of almost-unbearable vision
Doubled over with the hunger of lions
Hold me close, cooed the dove
Who was stuffed, now, with sawdust and diamonds
I wanted to say: Why the long face
Sparrow, perch and play songs of long face
Burro, buck and bray songs of long face!
Sing, I will swallow your sadness, and eat your cold clay
Just to lift your long face;
And though it may be madness, I will take to the grave
Your precious longface
And though our bones they may break, and our souls separate-
Why the long face?
And though our bodies recoil from the grip of the soil-
Why the long face?
And in the trough of the waves
Which are pawing like dogs
Pitch we, pale-faced and grave
As I write in my log
Then I hear a noise from the hull
Seven days out to sea
And it is the damnable bell!
And it tolls — well, I believe that it tolls — it tolls for me
And it tolls for me
And though my wrists and my waist seemed so easy to break
Still, my dear, I’d have walked you to the edge of the water
And they will recognize all the lines of your face
In the face of the daughter of the daughter of my daughter
And darling, we will be fine; but what was yours and mine
Appears to me a sandcastle
That the gibbering wave takes
But if it’s all just the same, then will you say my name;
Say my name in the morning, so that I know when the wave breaks
I wasn’t born of a whistle, or milked from a thistle at twilight
No; I was all horns and thorns, sprung out fully formed, knock-kneed and upright
So: enough of this terror
We deserve to know light
And grow evermore lighter and lighter
You would have seen me through
But I could not undo that desire
O, desire!
O, desire!
O, desire!
Desire, desire, desire, desire
From the top of the flight
Of the wide, white stairs
Through the rest of my life
Do you wait for me there?
Sawdust and Diamonds was written by Joanna Newsom.
Sawdust and Diamonds was produced by Van Dyke Parks & Joanna Newsom.
Joanna Newsom released Sawdust and Diamonds on Mon Nov 06 2006.