Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert & Maren Morris
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
Miranda Lambert
[Verse 1]
I had the palace looking nice and neat
Two feather pillows with expensive sheets
Sitting so pretty on my velvet couch
Before you came around
[Pre-Chorus]
You treat my mind like a hotel room
And I know why I gave the keys to you
[Chorus]
I let you mess with my, mess with my head
I let you mess with my, mess with my head
[Verse 2]
Maybe it's wrong, but it feels right to me
Reveling in reverse psychology
You complicate it with your lying lips
I'm waiting on a kiss
[Chorus]
I let you mess with my, mess with my head
I let you mess with my, mess with my bed
Waking up to a wreck with blue jeans on the floor
It ain't love and I like it better than before
I let you mess with my, mess with my head
I let you mess with my, mess with my, uh
[Pre-Chorus]
You treat my mind like a hotel room
And I know why I gave the keys to you
[Chorus]
I let you mess with my, mess with my head
I let you mess with my, mess with my bed
Waking up to a wreck with blue jeans on the floor
It ain't love and I like it better than before
I let you mess with my, mess with my head
I let you mess with my, mess with my head
I let you mess with my, mess with my head
I let you mess with my, mess with my head
Mess with My Head was written by Natalie Hemby & Miranda Lambert & Luke Dick.
Mess with My Head was produced by Jay Joyce.
Miranda Lambert released Mess with My Head on Fri Aug 09 2019.
Rolling Stone ranked “Mess With My Head” as the #19 song of 2019, saying:
‘You treat my mind like a hotel room,’ Lambert sings in ‘Mess With My Head.’ Over an angular guitar riff and producer Jay Joyce’s atmospheric studio effects, Lambert describes the experience of letting down her guard and embr...
Lambert told Rolling Stone:
It’s not too deep, it’s not too heavy — you don’t have to think too hard when you hear it. […] It was a little stretch for me. I wrote it and I loved it, but I wasn’t necessarily positive — could I pull it off and would it sound like me? Not every song you write fits in...
Lambert told Rolling Stone:
Jay is somebody I’ve always respected, and he’s played on several of my records. I met Jay through [producer] Frank [Lidell]. I just thought I needed a fresh sound and start from The Weight of These Wings. I wanted to be pushed. And sometimes when you work with somebody...