D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
D. H. Lawrence
A poem from a book of Lawrence’s middle period poetry, Birds, Beasts and Flowers (1923). Although Lawrence had been working on a freer, more spontaneous, whitmanesque style he called “Poetry of the Present.” for some three or four years, it’s not quite until this book that his new style really begin...
I love you, rotten,
Delicious rottenness.
I love to suck you out from your skins
So brown and soft and coming suave,
So morbid, as the Italians say.
What a rare, powerful, reminiscent flavour
Comes out of your falling through the stages of decay:
Stream within stream.
Something of the same flavour as Syracusan muscat wine
Or vulgar Marsala.
Though even the word Marsala will smack of preciosity
Soon in the pussy-foot West.
What is it?
What is it, in the grape turning raisin,
In the medlar, in the sorb-apple,
Wineskins of brown morbidity,
Autumnal excrementa;
What is it that reminds us of white gods?
Gods nude as blanched nut-kernels,
Strangely, half-sinisterly flesh-fragrant
As if with sweat,
And drenched with mystery.
Sorb-apples, medlars with dead crowns.
I say, wonderful are the hellish experiences,
Orphic, delicate
Dionysos of the Underworld.
A kiss, and a vivid spasm of farewell, a moment’s orgasm of rupture,
Then along the damp road alone, till the next turning.
And there, a new partner, a new parting, a new unfusing into twain,
A new gasp of further isolation,
A new intoxication of loneliness, among decaying, frost-cold leaves.
Going down the strange lanes of hell, more and more intensely alone,
The fibres of the heart parting one after the other
And yet the soul continuing, naked-footed, ever more vividly embodied
Like a flame blown whiter and whiter
In a deeper and deeper darkness,
Ever more exquisite, distilled in separation.
So, in the strange retorts of medlars and sorb-apples
The distilled essence of hell.
The exquisite odour of leave-taking.
Jamque vale!
Orpheus, and the winding, leaf-clogged, silent lanes of hell.
Each soul departing with its own isolation.
Strangest of all strange companions,
And best.
Medlars, sorb-apples,
More than sweet
Flux of autumn
Sucked out of your empty bladders
And sipped down, perhaps, with a sip of Marsala
So that the rambling, sky-dropped grape can add its savour to yours,
Orphic farewell, and farewell, and farewell
And the ego sum of Dionysos
The sono io of perfect drunkenness
Intoxication of final loneliness.
San Gervasio