Karain: A Memory (Chapter 5) by Joseph Conrad
Karain: A Memory (Chapter 5) by Joseph Conrad

Karain: A Memory (Chapter 5)

Joseph Conrad * Track #5 On Karain: A Memory

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Karain: A Memory (Chapter 5) by Joseph Conrad

Release Date
Sat Jan 01 1898
Performed by
Joseph Conrad
About

“Karain: A Memory” was composed in 1897, and first published in that year’s November issue of Blackwood’s Magazine. It was collected in 1898’s Tales of Unrest, alongside “The Idiots”, “An Outpost of Progress,” “The Return”, and “The Lagoon.”

The story’s narrator journeys to Maya, smuggling goods to...

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Karain: A Memory (Chapter 5) Annotated

Karain's tone had been getting lower and lower, as though he had been going away from us, till the last words sounded faint but clear, as if shouted on a calm day from a very great distance. He moved not. He stared fixedly past the motionless head of Hollis, who faced him, as still as himself. Jackson had turned sideways, and with elbow on the table shaded his eyes with the palm of his hand. And I looked on, surprised and moved; I looked at that man, loyal to a vision, betrayed by his dream, spurned by his illusion, and coming to us unbelievers for help—against a thought. The silence was profound; but it seemed full of noiseless phantoms, of things sorrowful, shadowy, and mute, in whose invisible presence the firm, pulsating beat of the two ship's chronometers ticking off steadily the seconds of Greenwich Time seemed to me a protection and a relief. Karain stared stonily; and looking at his rigid figure, I thought of his wanderings, of that obscure Odyssey of revenge, of all the men that wander amongst illusions faithful, faithless; of the illusions that give joy, that give sorrow, that give pain, that give peace; of the invincible illusions that can make life and death appear serene, inspiring, tormented, or ignoble.

A murmur was heard; that voice from outside seemed to flow out of a dreaming world into the lamp-light of the cabin. Karain was speaking.

"I lived in the forest.

"She came no more. Never! Never once! I lived alone. She had forgotten. It was well. I did not want her; I wanted no one. I found an abandoned house in an old clearing. Nobody came near. Sometimes I heard in the distance the voices of people going along a path. I slept; I rested; there was wild rice, water from a running stream—and peace! Every night I sat alone by my small fire before the hut. Many nights passed over my head.

"Then, one evening, as I sat by my fire after having eaten, I looked down on the ground and began to remember my wanderings. I lifted my head. I had heard no sound, no rustle, no footsteps—but I lifted my head. A man was coming towards me across the small clearing. I waited. He came up without a greeting and squatted down into the firelight. Then he turned his face to me. It was Matara. He stared at me fiercely with his big sunken eyes. The night was cold; the heat died suddenly out of the fire, and he stared at me. I rose and went away from there, leaving him by the fire that had no heat.

"I walked all that night, all next day, and in the evening made up a big blaze and sat down—to wait for him. He had not come into the light. I heard him in the bushes here and there, whispering, whispering. I understood at last—I had heard the words before, 'You are my friend—kill with a sure shot.'

"I bore it as long as I could—then leaped away, as on this very night I leaped from my stockade and swam to you. I ran—I ran crying like a child left alone and far from the houses. He ran by my side, without footsteps, whispering, whispering—invisible and heard. I sought people—I wanted men around me! Men who had not died! And again we two wandered. I sought danger, violence, and death. I fought in the Atjeh war, and a brave people wondered at the valiance of a stranger. But we were two; he warded off the blows . . . Why? I wanted peace, not life. And no one could see him; no one knew—I dared tell no one. At times he would leave me, but not for long; then he would return and whisper or stare. My heart was torn with a strange fear, but could not die. Then I met an old man.

"You all knew him. People here called him my sorcerer, my servant and sword-bearer; but to me he was father, mother, protection, refuge and peace. When I met him he was returning from a pilgrimage, and I heard him intoning the prayer of sunset. He had gone to the holy place with his son, his son's wife, and a little child; and on their return, by the favour of the Most High, they all died: the strong man, the young mother, the little child—they died; and the old man reached his country alone. He was a pilgrim serene and pious, very wise and very lonely. I told him all. For a time we lived together. He said over me words of compassion, of wisdom, of prayer. He warded from me the shade of the dead. I begged him for a charm that would make me safe. For a long time he refused; but at last, with a sigh and a smile, he gave me one. Doubtless he could command a spirit stronger than the unrest of my dead friend, and again I had peace; but I had become restless, and a lover of turmoil and danger. The old man never left me. We travelled together. We were welcomed by the great; his wisdom and my courage are remembered where your strength, O white men, is forgotten! We served the Sultan of Sula. We fought the Spaniards. There were victories, hopes, defeats, sorrow, blood, women's tears . . . What for? . . . We fled. We collected wanderers of a warlike race and came here to fight again. The rest you know. I am the ruler of a conquered land, a lover of war and danger, a fighter and a plotter. But the old man has died, and I am again the slave of the dead. He is not here now to drive away the reproachful shade—to silence the lifeless voice! The power of his charm has died with him. And I know fear; and I hear the whisper, 'Kill! kill! kill!' . . . Have I not killed enough? . . ."

For the first time that night a sudden convulsion of madness and rage passed over his face. His wavering glances darted here and there like scared birds in a thunderstorm. He jumped up, shouting—

"By the spirits that drink blood: by the spirits that cry in the night: by all the spirits of fury, misfortune, and death, I swear—some day I will strike into every heart I meet—I . . ."

He looked so dangerous that we all three leaped to our feet, and Hollis, with the back of his hand, sent the kriss flying off the table. I believe we shouted together. It was a short scare, and the next moment he was again composed in his chair, with three white men standing over him in rather foolish attitudes. We felt a little ashamed of ourselves. Jackson picked up the kriss, and, after an inquiring glance at me, gave it to him. He received it with a stately inclination of the head and stuck it in the twist of his sarong, with punctilious care to give his weapon a pacific position. Then he looked up at us with an austere smile. We were abashed and reproved. Hollis sat sideways on the table and, holding his chin in his hand, scrutinized him in pensive silence. I said—

"You must abide with your people. They need you. And there is forgetfulness in life. Even the dead cease to speak in time."

"Am I a woman, to forget long years before an eyelid has had the time to beat twice?" he exclaimed, with bitter resentment. He startled me. It was amazing. To him his life—that cruel mirage of love and peace—seemed as real, as undeniable, as theirs would be to any saint, philosopher, or fool of us all. Hollis muttered—

"You won't soothe him with your platitudes."

Karain spoke to me.

"You know us. You have lived with us. Why?—we cannot know; but you understand our sorrows and our thoughts. You have lived with my people, and you understand our desires and our fears. With you I will go. To your land—to your people. To your people, who live in unbelief; to whom day is day, and night is night—nothing more, because you understand all things seen, and despise all else! To your land of unbelief, where the dead do not speak, where every man is wise, and alone—and at peace!"

"Capital description," murmured Hollis, with the flicker of a smile.

Karain hung his head.

"I can toil, and fight—and be faithful," he whispered, in a weary tone, "but I cannot go back to him who waits for me on the shore. No! Take me with you . . . Or else give me some of your strength—of your unbelief. . . . A charm! . . ."

He seemed utterly exhausted.

"Yes, take him home," said Hollis, very low, as if debating with himself. "That would be one way. The ghosts there are in society, and talk affably to ladies and gentlemen, but would scorn a naked human being—like our princely friend. . . . Naked . . . Flayed! I should say. I am sorry for him. Impossible—of course. The end of all this shall be," he went on, looking up at us—"the end of this shall be, that some day he will run amuck amongst his faithful subjects and send 'ad patres' ever so many of them before they make up their minds to the disloyalty of knocking him on the head."

I nodded. I thought it more than probable that such would be the end of Karain. It was evident that he had been hunted by his thought along the very limit of human endurance, and very little more pressing was needed to make him swerve over into the form of madness peculiar to his race. The respite he had during the old man's life made the return of the torment unbearable. That much was clear.

He lifted his head suddenly; we had imagined for a moment that he had been dozing.

"Give me your protection—or your strength!" he cried. "A charm . . . a weapon!"

Again his chin fell on his breast. We looked at him, then looked at one another with suspicious awe in our eyes, like men who come unexpectedly upon the scene of some mysterious disaster. He had given himself up to us; he had thrust into our hands his errors and his torment, his life and his peace; and we did not know what to do with that problem from the outer darkness. We three white men, looking at the Malay, could not find one word to the purpose amongst us—if indeed there existed a word that could solve that problem. We pondered, and our hearts sank. We felt as though we three had been called to the very gate of Infernal Regions to judge, to decide the fate of a wanderer coming suddenly from a world of sunshine and illusions.

"By Jove, he seems to have a great idea of our power," whispered Hollis, hopelessly. And then again there was a silence, the feeble plash of water, the steady tick of chronometers. Jackson, with bare arms crossed, leaned his shoulders against the bulkhead of the cabin. He was bending his head under the deck beam; his fair beard spread out magnificently over his chest; he looked colossal, ineffectual, and mild. There was something lugubrious in the aspect of the cabin; the air in it seemed to become slowly charged with the cruel chill of helplessness, with the pitiless anger of egoism against the incomprehensible form of an intruding pain. We had no idea what to do; we began to resent bitterly the hard necessity to get rid of him.

Hollis mused, muttered suddenly with a short laugh, "Strength . . . Protection . . . Charm." He slipped off the table and left the cuddy without a look at us. It seemed a base desertion. Jackson and I exchanged indignant glances. We could hear him rummaging in his pigeon-hole of a cabin. Was the fellow actually going to bed? Karain sighed. It was intolerable!

Then Hollis reappeared, holding in both hands a small leather box. He put it down gently on the table and looked at us with a queer gasp, we thought, as though he had from some cause become speechless for a moment, or were ethically uncertain about producing that box. But in an instant the insolent and unerring wisdom of his youth gave him the needed courage. He said, as he unlocked the box with a very small key, "Look as solemn as you can, you fellows."

Probably we looked only surprised and stupid, for he glanced over his shoulder, and said angrily—

"This is no play; I am going to do something for him. Look serious. Confound it! . . . Can't you lie a little . . . for a friend!"

Karain seemed to take no notice of us, but when Hollis threw open the lid of the box his eyes flew to it—and so did ours. The quilted crimson satin of the inside put a violent patch of colour into the sombre atmosphere; it was something positive to look at—it was fascinating.

Karain: A Memory (Chapter 5) Q&A

When did Joseph Conrad release Karain: A Memory (Chapter 5)?

Joseph Conrad released Karain: A Memory (Chapter 5) on Sat Jan 01 1898.

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