This biographical song concerns mobster “Crazy” Joe Gallo, who was gunned down in 1972 while celebrating his birthday at a restaurant in New York.
The song attracted controversy for whitewashing Gallo’s reputation. He was accused of two murders, including the assassination of mob hitman Albert Anas...
[Verse 1]
Born in Red Hook, Brooklyn, in the year of who knows when
Opened up his eyes to the tune of an accordion
Always on the outside of whatever side there was
When they asked him why it had to be that way, “Well,” he answered
“Just because”
Larry was the oldest, Joey was next to last
They called Joe “Crazy,” the baby they called “Kid Blast”
Some say they lived off gambling and runnin’ numbers too
It always seemed they got caught between the mob and the men in blue
[Chorus]
Joey, Joey
King of the streets, child of clay
Joey, Joey
What made them want to come and blow you away?
[Verse 2]
There was talk they killed their rivals, but the truth was far from that
No one ever knew for sure where they were really at
When they tried to strangle Larry, Joey almost hit the roof
He went out that night to seek revenge, thinking he was bulletproof
The war broke out at the break of dawn, it emptied out the streets
Joey and his brothers suffered terrible defeats
Till they ventured out behind the lines and took five prisoners
They stashed them away in a basement, called them amateurs
The hostages were trembling when they heard a man exclaim
“Let’s blow this place to kingdom come, let Con Edison take the blame”
But Joey stepped up, and he raised his hands, said, “We’re not those kind of men
It’s peace and quiet that we need to go back to work again”
[Chorus]
Joey, Joey
King of the streets, child of clay
Joey, Joey
What made them want to come and blow you away?
[Verse 3]
The police department hounded him, they called him Mr. Smith
They got him on conspiracy, they were never sure who with
“What time is it?” said the judge to Joey when they met
“Five to ten,” said Joey. The judge says, “That’s exactly what you get”
He did ten years in Attica, reading Nietzsche and Wilhelm Reich
They threw him in the hole one time for trying to stop a strike
His closest friends were black men because they seemed to understand
What it’s like to be in society with a shackle on your hand
When they let him out in ’71 he’d lost a little weight
But he dressed like Jimmy Cagney and I swear he did look great
He tried to find the way back into the life he left behind
To the boss he said, “I have returned and now I want what’s mine”
[Chorus]
Joey, Joey
King of the streets, child of clay
Joey, Joey
What made them want to come and blow you away?
[Verse 4]
It was true that in his later years he would not carry a gun
“I’m around too many children,” he’d say, “they should never know of one”
Yet he walked right into the clubhouse of his lifelong deadly foe
Emptied out the register, said, “Tell them it was Crazy Joe”
One day they blew him down in a clam bar in New York
He could see it coming through the door as he lifted up his fork
He pushed the table over to protect his family
Then he staggered out into the streets of Little Italy
[Chorus]
Joey, Joey
King of the streets, child of clay
Joey, Joey
What made them want to come and blow you away?
[Verse 5]
Sister Jacqueline and Carmela and mother Mary all did weep
I heard his best friend Frankie say, “He is not dead, he’s just asleep”
Then I saw the old man’s limousine head back towards the grave
I guess he had to say one last goodbye to the son that he could not save
The sun turned cold over President Street and the town of Brooklyn mourned
They said a mass in the old church near the house where he was born
And someday if God’s in heaven overlooking His preserve
I know the men that shot him down will get what they deserve
[Chorus]
Joey, Joey
King of the streets, child of clay
Joey, Joey
What made them want to come and blow you away?
Joey was written by Jacques Levy & Bob Dylan.
Joey was produced by Don DeVito.
Song Talk: “Joey” [from “Desire”]
Dylan: To me, that’s a great song. Yeah. And it never loses its appeal.
ST: And it has one of the greatest visual endings of any song.
Dylan: That’s a tremendous song. And you’d only know that singing it night after night. You know who got me singing that song? [...