M. Alexander
Anne Bradstreet &
Anne Bradstreet
Anne Bradstreet
Edward Taylor
Edward Taylor
Edward Taylor
Mary Rowlandson
Mary Rowlandson
Mary Rowlandson
Christopher Columbus
Christopher Columbus
Jonathan Edwards (Theologian)
Olaudah Equiano
Olaudah Equiano
Phillis Wheatley
Phillis Wheatley
Phillis Wheatley
Phillis Wheatley
Phillis Wheatley
Nathaniel Hawthorne
Nathaniel Hawthorne
Ralph Waldo Emerson
Henry David Thoreau
Henry David Thoreau
Henry David Thoreau
Henry Wadsworth Longfellow
Walt Whitman
Walt Whitman
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Emily Dickinson
Robert Frost
Robert Frost
Robert Frost
Robert Frost
Robert Frost
William Carlos Williams
William Carlos Williams
William Carlos Williams
William Carlos Williams
William Carlos Williams
William Carlos Williams
William Carlos Williams
Wallace Stevens
Ezra Pound
Ezra Pound
Ezra Pound & Li Po
H. D. (Hilda Doolittle)
e. e. cummings
e. e. cummings
e. e. cummings
Claude McKay
Claude McKay
Claude McKay
Claude McKay
Claude McKay
Claude McKay
Claude McKay
Zora Neale Hurston
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Langston Hughes
Countee Cullen
Countee Cullen
Maxine Hong Kingston
Alice Walker
Allen Ginsberg
Allen Ginsberg
In three stanzas, employing end rhyme, McKay writes sympathetically of the experience of black sex workers in a “degrading urban environment.” A seminal figure in the Harlem Renaissance, McKay was born in Jamaica, and migrated to the US to study at the Tuskegee Institute in 1912. He describes the wo...
I hear the halting footsteps of a lass
In Negro Harlem when the night lets fall
Its veil. I see the shapes of girls who pass
To bend and barter at desire's call.
Ah, little dark girls who in slippered feet
Go prowling through the night from street to street!
Through the long night until the silver break
Of day the little gray feet know no rest;
Through the lone night until the last snow-flake
Has dropped from heaven upon the earth's white breast,
The dusky, half-clad girls of tired feet
Are trudging, thinly shod, from street to street.
Ah, stern harsh world, that in the wretched way
Of poverty, dishonor and disgrace,
Has pushed the timid little feet of clay,
The sacred brown feet of my fallen race!
Ah, heart of me, the weary, weary feet
In Harlem wandering from street to street.
Claude McKay released Harlem Shadows on Tue Jan 01 1918.