Korn & Skrillex
Korn & Noisia
Korn & Excision
Korn & Kill The Noise & Skrillex
Korn & Downlink & Excision
Korn & Noisia
Korn & Downlink
Korn & Noisia
Korn & Skrillex
Korn & Downlink & 12th Planet & Flinch
Korn & Feed Me
Korn & Kill The Noise
Korn & Infected Mushroom & Datsik & Downlink & Excision
‘Get Up’ was inspired by his hatred of everybody moaning about the recession.
He said this in an interview:
‘Get Up’ is about the recession. I wish everyone would shut the fuck up and have some fun. Every day I’ve got to hear about unemployment and people starving.
[Verse 1]
I am clearly broken
And no one knows what to do
Pieces of the puzzle don't fit
So I pound them into you
[Pre-Chorus]
Itching is the pulse inside
Creeping out to come alive
It's just doing what it's gonna do
[Chorus]
Times are looking grim these days
Holding on to everything
It's hard to draw the line
Shut the fuck up, get up
Shut the fuck up, get up
Shut the fuck up, get up
[Verse 2]
I can't wait to rip my eyes out
And look at you
Peace through pain is precious
Especially when it's done by you
[Pre-Chorus]
Itching is the pulse inside
Creeping out to come alive
It's just doing what it's gonna do
[Chorus]
Times are looking grim these days
Holding on to everything
It's hard to draw the line
And I, I'm hiding in this empty space
Tortured by my memories
Of what I've left behind
Shut the fuck up, get up
Shut the fuck up, get up
Shut the fuck up, get up
[Drop]
Up
Up
Up
Up
[Chorus]
Times are looking grim these days
Holding on to everything
It's hard to draw the line
And I, I'm hiding in this empty space
Tortured by my memories
Of what I've left behind
Shut the fuck up, get up
Shut the fuck up, get up
Shut the fuck up, get up
Get Up! was written by Skrillex & Ray Luzier & Reginald “Fieldy” Arvizu & MUNKY & Jonathan Davis.
“Get Up!” was certified gold by the RIAA on April 8, 2019.
‘Get Up’ is about the recession. I wish everyone would shut the fuck up and have some fun. Every day I’ve got to hear about unemployment and people starving.
— Jonathan Davis according to a November 2011 NME article