[Verse 1]
You say we're friends and then we make out again
Wake up in my bed
All the right questions come off so sensitive
Then we get undressed
[Pre-Chorus]
I know all the tricks up your sleeve
Know all your moves in the sheets
Ain't nothing I haven't seen
[Chorus]
You ain't here for talking
You ain't here for love
And I know anybody's hands would do
You ain't here to listen
You don't want that real shit
But it's cool 'cause I'm a fuckboy too
A fuckboy boy too, too
Just like you, a fuckboy too
[Verse 2]
You got somebody in case I'm not around
I've got a couple, yeah, I've got a couple
Our conversations always, "Hey, are you down?"
It ain't so subtle, don't really care though
[Pre-Chorus]
I know all the tricks up your sleeve
Know all your moves in the sheets
Ain't nothing I haven't seen
[Chorus]
You ain't here for talking
You ain't here for love
And I know anybody's hands would do
You ain't here to listen
You don't want that real shit
But it's cool 'cause I'm a fuckboy too
A fuckboy boy too, too
Just like you, a fuckboy too
[Bridge]
It takes one to know one
And nobody knows them the way that I know 'em
It takes one to know one
And nobody knows them the way that I do
[Chorus]
You ain't here for talking (I know it)
You ain't here for love
And I know anybody's hands would do (Would do)
You ain't here to listen (No)
You don't want that real shit (No)
But it's cool 'cause I'm a fuckboy too
A fuckboy boy too, too
Just like you, a fuckboy too
Fuckboy was written by BUZZ (USA) & Baum.
For me, it’s a lighthearted and fun song. I just wanted to sing from an empowered perspective and you don’t hear a ton of women singing about being fuckboys. I actually would not call myself a fuckboy at all, but everyone has their moments. Everyone has the ability to call the shots and to walk away...
This is meant to mimic how we interact with people we are involved with, the games we play, and how we can ultimately find power in independence. The storyline, particularly that of the female dancer, is meant to offer an alternative narrative to that of the “overly emotional woman” we frequently se...