A beautiful song and preamble from Beddoes' unfinished play, Torrismond.
Though Beddoes' plays were never terribly well received in themselves, suffering from bad plot or convolution, they are replete with snippets of poetic brilliance such as this. Some of Beddoes' lines and thoughts are so fine...
VERONICA, ELVIRA and other female attendants.
Veron.
Come then, a song; a winding, gentle song,
To lead me into sleep. Let it be low
As zephyr, telling secrets to his rose,
For I would hear the murmuring of my thoughts;
And more of voice than of that other music
That grows around the strings of quivering lutes;
But most of thought; for with my mind I listen,
And when the leaves of sound are shed upon it,
If there's no seed remembrance grows not there.
So life, so death; a song, and then a dream!
Begin before another dewdrop fall
From the soft hold of these disturbed flowers,
For sleep is filling up my senses fast,
And from these words I sink.
Song.
How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall'n year,
Whose white and sable hours appear
The latest flake of Eternity:—
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravelled from the tumbling main,
And threading the eye of a yellow star:—
So many times do I love again.
Elvira.
She sees no longer: leave her then alone,
Encompassed by this round and moony night.
A rose-leaf for thy lips, and then good-night:
So life, so death; a song, and then a dream!
[Exeunt Elvira and attendants, leaving Veronica asleep.]
Thomas Lovell Beddoes released From Torrismond, Garden Scene on Thu Jan 01 1852.