A line from this poem gave its name to Cohen’s first book of poetry, Let Us Compare Mythologies. The 1956 collection is mainly comprised of poems written while Cohen was studying English literature at McGill University.
When young the Christians told me
how we pinned Jesus
like a lovely butterfly against the wood,
and I wept beside paintings of Calvary
at velvet wounds
and delicate twisted feet.
But he could not hang softly long,
your fighters so proud with bugles,
bending flowers with their silver stain,
and when I faced the Ark for counting,
trembling under the burning oil,
the meadow of running flesh turned sour
and I kissed away my gentle teachers,
warned my younger brothers.
Among the young and turning-great
of the large nations, innocent
of the spiked wish and the bright crusade,
there I could sing my heathen tears
between the summersaults and chestnut battles,
love the distant saint
who fed his arm to flies,
mourn the crushed ant
and despise the reason of the heel.
Raging and weeping are left on the early road.
Now each in his holy hill
the glittering and hurting days are almost done.
Then let us compare mythologies.
I have learned my elaborate lie
of soaring crosses and poisoned thorns
and how my fathers nailed him
like a bat against a barn
to greet the autumn and late hungry ravens
as a hollow yellow sign.
For Wilf and his House was written by Leonard Cohen.