Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Philip Larkin
Dry-Point is a print-making technique developed by the Intaglio family in which an image is incised into a metal surface.
The poem ‘Dry-Point’ is one of a pair, entitled: ‘Two Portraits of Sex’ which appeared in Larkin’s ‘XX Poems’ (1951) as ‘II. Etching’, though later appeared in ‘The Less Deceiv...
Endlessly, time-honoured irritant,
A bubble is restively forming at your tip.
Burst it as fast as we can –
It will grow again until we begin dying.
Silently it inflates, till we’re enclosed
And forced to start the struggle to get out:
Bestial, intent, real.
The wet spark comes, the bright blown walls collapse,
But what sad scapes we cannot turn from then:
What ashen hills! what salted, shrunken lakes!
How leaden the ring looks,
Birmingham magic all discredited,
And how remote that bare and sunscrubbed room,
Intensely far, that padlocked cube of light
We neither define nor prove,
Where you, we dream, obtain no right of entry.
Dry-Point was written by Philip Larkin.
Dry-Point was produced by Philip Larkin.