[Intro]
Ooh-ooh-ooh
Ooh-ooh-ooh
[Chorus]
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) If nobody saw you, do it again
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) And if nobody wants you
[Verse 1]
Little boy, he grew up in Enugu
Go ahead, give it a little Google
Half of this might go over your head
Take me where the mud is red
Break that colonial bread
God lived in the building next to our house
Mama told me that was where I came from
While snakes crawled around us in the garden, overgrown
[Verse 2]
I was so oblivious
The love we shared was effortless
Contrary to the path I took
There wеre three whole genеrations in the same home
Running from the canines of my neighbour
Hiding from the Eggman on the Sega stays with me
[Chorus]
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) If nobody saw you, do it again, yeah
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) If nobody wants you, you gotta pretend
[Instrumental Break]
[Verse 3]
Don't go fighting with your instincts now
It's only your first lap 'round
So heed my voice
('Cause when they find you, they find you, you'll be on the floor, on the floor)
(When they find you, they find you, all they want is more)
Ah-ah-ah-ah (Quiet)
Ah-ah-ah
Ah-ah-ah-ah ('Cause all they want is more, all they want is more)
(More, more, more, more)
[Chorus]
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) If nobody saw you, do it again, yeah
(Ooh-ooh-ooh) If nobody heard you, say it again
(Ooh-ooh-ooh) If nobody wants you, you gotta pretend
[Outro]
(Ooh-ooh-ooh) If nobody wants you, you gotta pretend
(Ooh-ooh-ooh) If nobody wants you, you gotta pretend
(Ooh-ooh-ooh) If nobody wants you, you gotta pretend
Ooh-ooh-ooh
Dark Sense of Humour (Farfisa) was written by Steven Bamidele.
Dark Sense of Humour (Farfisa) was produced by Steven Bamidele.
Steven Bamidele released Dark Sense of Humour (Farfisa) on Thu May 04 2023.
The laugh at the end said it all, and I like the look of the word Farfisa (the main instrument in the song) so I kept that bit in.” This contrast evokes both the tonal change from the bliss of Steven’s childhood to the anxiety of his later formative years, and of the perpetual whiplash of informatio...