The second track in Please is known for its distinctive, acoustic guitar-based rhythm and chord progression.
It features just four chords which are repeated for the duration of the track, an unusual ocurrence for an artist who often fills his songs with various different and unusual chord patterns....
[Verse 1]
Told off so terribly loud
Cut off my hand as I reached for the fire
Sound sleep so terribly foul
Foresaw the end of an era
[Chorus]
We're singing a song for the crickets
We're singing a song for the crickets
You look suspicious
I've no suspicion
Can't deal the dark cards
Can't tame the night hawks
Can't overcome our fall
[Verse 2]
Out late with all the undead
Kicking myself as we blow through the gates
Murmuring brook in my head
Sweet little nothings, verbatim
[Chorus]
We're singing a song for the crickets
We're singing a song for the crickets
You look suspicious
I've no suspicion
Can't deal the dark cards
Can't tame the night hawks
Can't overcome our fall
[Middle 8]
Say it to yourself in a different voice
Say it to yourself in a different voice
Say it to yourself in a different voice than yours
Say it to yourself in a different voice
Say it to yourself in a different voice
Say it to yourself in a different voice than yours
[Chorus]
We're singing a song for the crickets
We're singing a song for the crickets
You look suspicious
I've no suspicion
Can't deal the dark cards
Can't tame the night hawks
Can't overcome our fall
[Outro]
Is it the truth you don't approve?
Is it too good to you, to you, to you, to you?
Is it the truth you don't approve
It is too good to you, to you, to you, to you
Crickets was written by Sondre Lerche.
Crickets was produced by Kato Ådland.
[T]hat was a first for me, to make something that I still felt had an arc and a dramatic structure and that I got a lot of melody out of, using just four chords and this stubborn rhythm pattern, and having all these melodies coming together over each other, so that by the end you have this big cacop...