Bacchanalia; or, The New Age by Matthew Arnold
Bacchanalia; or, The New Age by Matthew Arnold

Bacchanalia; or, The New Age

Matthew Arnold * Track #85 On Poetical Works of Matthew Arnold

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Bacchanalia; or, The New Age by Matthew Arnold

Performed by
Matthew Arnold

Bacchanalia; or, The New Age Annotated

I

The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.
Loitering and leaping,
With saunter, with bounds—
Flickering and circling
In files and in rounds—
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair—
See! the wild Mænads
Break from the wood,
Youth and Iacchus
Maddening their blood.
See! through the quiet land
Rioting they pass—
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.
Shepherd, what ails thee, then?

Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not their cries?
Glow not their shoulders smooth?
Melt not their eyes?
Is not, on cheeks like those,
Lovely the flush?
—Ah, so the quiet was!
So was the hush!

II

The epoch ends, the world is still,
The age has talk'd and work'd its fill—
The famous orators have shone,
The famous poets sung and gone,
The famous men of war have fought,
The famous speculators thought,
The famous players, sculptors, wrought,
The famous painters fill'd their wall,
The famous critics judged it all.
The combatants are parted now—
Uphung the spear, unbent the bow,
The puissant crown'd, the weak laid low.
And in the after-silence sweet,
Now strifes are hush'd, our ears doth meet,
Ascending pure, the bell-like fame
Of this or that down-trodden name
Delicate spirits, push'd away
In the hot press of the noon-day.
And o'er the plain, where the dead age
Did its now silent warfare wage—
O'er that wide plain, now wrapt in gloom,
Where many a splendour finds its tomb,
Many spent fames and fallen mights—
The one or two immortal lights
Rise slowly up into the sky
To shine there everlastingly,
Like stars over the bounding hill.
The epoch ends, the world is still.

&nbspThundering and bursting
&nbspIn torrents, in waves—
&nbspCarolling and shouting
&nbspOver tombs, amid graves—
&nbspSee! on the cumber'd plain
&nbspClearing a stage,
&nbspScattering the past about,
&nbspComes the new age.
&nbspBards make new poems,
&nbspThinkers new schools,
&nbspStatesmen new systems,
&nbspCritics new rules.
&nbspAll things begin again;
&nbspLife is their prize;
&nbspEarth with their deeds they fill,
&nbspFill with their cries.

&nbspPoet, what ails thee, then?
&nbspSay, why so mute?
&nbspForth with thy praising voice!
&nbspForth with thy flute!
&nbspLoiterer! why sittest thou
&nbspSunk in thy dream?
&nbspTempts not the bright new age?
&nbspShines not its stream?
&nbspLook, ah, what genius,
&nbspArt, science, wit!
&nbspSoldiers like Cæsar,
&nbspStatesmen like Pitt!
&nbspSculptors like Phidias,
&nbspRaphaels in shoals,
&nbspPoets like Shakespeare—
&nbspBeautiful souls!
&nbspSee, on their glowing cheeks
&nbspHeavenly the flush!
&nbsp—Ah, so the silence was!
&nbspSo was the hush!

The world but feels the present's spell,
The poet feels the past as well;
Whatever men have done, might do,
Whatever thought, might think it too.

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