Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush
Kate Bush & Prince
Kate Bush
“And So Is Love” is the second track from Kate Bush’s The Red Shoes. Aside from being the album’s fifth overall single, it ended up becoming the last single Bush would release before her 12 year hiatus. Featuring guitarist Eric Clapton, the track is much more solemn and moody than the previous track...
[Intro]
And you, huh?
You do, huh?
[Verse 1]
We let it in
We give it out
And in the end
What's it all about?
It must be love
[Verse 2]
I give you my
I give you my
You give me your
You give me your joy
[Chorus]
We used to say
"Ah, Hell, we're young"
But now we see that life is sad
And so is love
[Post-Chorus 1]
Ooh, baby, live your life for love
Ooh, baby, live your life for love
[Chorus]
We used to say
"Ah, Hell, we're young"
But now we see that life is sad
And so is love
[Post-Chorus 2]
Ooh, baby, for the sake of love
Ooh, baby, for the sake of love
[Bridge]
And whatever happens
What really matters?
It's all we've got
Isn't that enough?
[Refrain]
Life is sad and so is love
[Verse 3]
You let it slip
You let it slip
I love you more
I love you more for it
[Refrain]
Life is sad and so is love
[Verse 4]
All for love
Just for the sake of love
You set me free
I set you free
And So Is Love was written by Kate Bush.
And So Is Love was produced by Kate Bush.
Kate Bush released And So Is Love on Mon Nov 07 1994.
Yes. Across all formats – 7", cassette and CD, to be precise – the U.S. mix of “Ruberband Girl” was included as a b-side. The CD additionally included the extended mix of “Eat the Music”.
I really wanted to get at the rawness of relationships, the way things just burn at people but never quite erupt and Eric just sensed that. The track couldn’t say it, it just had to unfold, holding the tensions until the voice goes up into the higher octave. He followed brilliantly, like it was a co...
The track’s original backing is a sequenced 4-bar Fairlight pattern which was played to the musicians to give them a feel for the piece.
Usually we keep more of the Fairlight sound, but in this case it got scrubbed apart from the toms so it could all stay in strict tempo, so it could all be played...