Interlace define their own genre somewhere in between the styles of Clock DVA, Lassigue Bendthaus and early Skinny Puppy.

As clear-cut electronic soundscapes blend with distorted aggression, a new machine is born. Throbbing with intensity and aggression, it constitutes the merging point of ancient insights, a disillusioned present and the unfolding veils of tomorrow. It is a foundry for intelligence and instincts, for reason and lust, for the stark reality and that which lies beyond man’s comprehension. It is an essence of progress. It is Interlace.

Interlace is also a virtual laboratory, a realm of enlightenment. All academic fields are represented here, and art is the room that encapsulates them all. In cautious hands, knowledge is molded into sonic and visual expressions that will shake the foundations of a society taught to settle for less.

Interlace was blue-printed nearly a decade ago and has gradually developed since. Other artistical engagements delayed the realization of the project until the fall of 2001. At this time, the members agreed to enter into a collaboration with swedish alternative label Memento Materia. Subsequently, the debut album Innuendo was written and produced during an intense three-month period.

“Different artistic expressions must be allowed to converge and cross-fertilize, music is merely one. Parallel to the outer world, signs, symbols and ciphers build fine threads in our own web. Analyzing them leads to new discoveries, and new leads emerge along the way. We promote progress on all levels of human conciousness.”
-Interlace