Dennis Sanders, american electronic music producer that goes by EPROM, is not known for releasing dubstep, hip hop or even techno, but somewhere in between as far as the realms of bass music can reach.

The west-coaster got his first influences by the industrial sounds of Art of Noise, later followed by the techno-inspired soundtrack from the 90’s movie “Hackers” – “[It had] a certain type of urban realness or sophistication which I was never a part of [growing up in Vermont], […] I didn’t have that much experience with being in cities, and this sort of music was so exotic, futuristic and modern.”, as he tells electronic music platform Resident Advisor. From there, he began experimenting his own work, scratching over some techno tracks and blending them with hip-hop.

As time goes by, Dennis ranged his sounds to the likes of Drum & Bass, Breakbeat, and Dubstep, meeting like-minded individuals in the process, like Boreta (from The Glitch Mob) and DJ Shadow. Through MySpace, his dubstep phase got him involved with dutch label Rwina, and their long-term collaboration culminated into the release of Metahuman, his debut album.

With music made for clubs and heavy on the water sounds – as the liquid noises do get the attention of many, specially psychedelics users – Metahuman marked his shift towards the bass music he’s widely recognized for nowadays. His most recent EPs and LPs got him the praise from renowned electronic music platforms like Earmilk, Resident Advisor, Mixmag and NEST HQ, stepping up his popularity game and eventually joining forces with G Jones. Their collaboration evolved into new levels when the artists announced the “G Jones B2B Eprom Tour,” a first in the b2b spectrum for both.