Mostly known foir her affiliation with the earliest iterations of the emo trap/cloud rap scene collectives and creators (such as GothMoney or Thraxxhouse) and her contribution to shaping the sound of not only GBC and Lil Peep & Tracy but the formula of the emo trap genre itself – while still not taking themselves seriously at all.

Riddled with controversies, rumours and an overall fog of elusive digital presence that pre-dates her career, 90’s bambino is as much of a musician as she is an “internet idol” in her niche (which is very often linked to cult-like behaviours by outsiders) and a major nuisance to everyone else on purpose.

She sucks. She knows. She doesn’t care.